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Infinite Machine Label Pack (Web)
 Жанр: Techno, Electro, IDM, UK Garage, Bassline, Tribal, Breaks, Breakcore, Electroclash, Industrial, Dark Ambient, Experimental Страна-производитель диска: Mexico City, Mexico Год издания диска: 2011-2020 Тип издания: WEB Издатель (лейбл): Infinite Machine Аудиокодек: FLAC (*.flac) Тип рипа: tracks Продолжительность: 42:26:40 Источник (релизер): bandcamp, qobuz Наличие сканов в содержимом раздачи: cover Record Label based in Mexico City. Founded in Montréal, Est. 2011.  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 19:23 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Admin - No Reason (4:45) 02. Admin - Inside of You (5:24) 03. Admin - No Reason (Mirror State Remix) (4:06) 04. Admin - No Reason (Neat Remix) (5:08) released September 15, 2011 
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 20:39 Наличие сканов в содержимом раздачи: cover Tracklist: 01. B Flat - Gotcha (4:54) 02. B Flat - Again (4:48) 03. B Flat - Again (Admin Remix) (4:32) 04. B Flat - Gotcha (Sibian & Faun Remix) (6:25) released November 24, 2011
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 13:28 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Bwana - You Never Stop (4:44) 02. Bwana - Not Gonna Fall (4:21) 03. Bwana - Take It Slow (4:23) 24Bit released August 19, 2011
foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 19:18 Наличие сканов в содержимом раздачи: cover Tracklist: 01. 123Mrk - Noname (4:47) 02. 123Mrk - Unrest (4:31) 03. 123Mrk - Pleasure (4:42) 04. 123Mrk - Invisible Colors (5:19) released August 22, 2011
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 22:03 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Mahs - Always (5:29) 02. Mahs - Stay Right There (5:12) 03. Mahs - Thinking (4:49) 04. Mahs - Don't (6:33) released August 11, 2011
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 15:43 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Bruises - Train (3:40) 02. Bruises - Julia (3:12) 03. Bruises - Slow Down (2:11) 04. Bruises - Upsweep (3:01) 05. Bruises - Whistle (3:38) released December 12, 2011
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 31:59 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Bwana - It Aint Done Til Its Over (5:44) 02. Bwana - When Theres Nothing Left (5:00) 03. Bwana - Sleeping In (4:45) 04. Bwana - It Aint Done Til Its Over (XI Remix) (4:54) 05. Bwana - When Theres Nothing Left (Jack Dixon Remix) (8:00) 06. Bwana - It Aint Done Til Its Over (Sibian & Faun Remix) (3:36) Highly anticipated vinyl debut for the much hyped Bwana. Since only starting to produce music in early 2011, Bwana has attracted the attentions of everyone from Gilels Peterson to Sepalcure and signed tracks with the likes of Mad Decent and Montreal's Infinite Machine. He returns with three tracks flitting between future Garage/R&B on 'It Ain't Over Til It's Done', to sweeter, Boxcutter-styled Dubstep on 'When There's Nothing Left', and the spry 2-step chops of 'Sleeping In'. XI weighs in with a slower, more sensuous remix of 'It Ain't Done Til It's Over'. released February 27, 2012
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 10:45 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Bruises - Introduce Me to Your Friends (3:13) 02. Bruises - Would You (2:39) 03. Bruises - Introduce Me to Your Friends (Stealth Elf Remix) (4:53) released August 18, 2011
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 22:35 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Runamucker - The Bridge (5:15) 02. Runamucker - Caroline (5:11) 03. Runamucker - Condensation (5:20) 04. Runamucker - Caroline (Gage Remix) (6:48) 24Bit except track 3 released January 1, 2012
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 14:45 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Rommek - It Feels Better to Be Numb (5:41) 02. Rommek - Maisie (3:56) 03. Rommek - Turquoise (5:07) The "It Feels Better To Be Numb" EP is 19-year-old Rommek’s debut release, and the tenth installment in Infinite Machine’s catalogue. The Totnes UK-based producer delivers a three-track affair that takes its name from the title track, which samples Janet Jackson’s “Love Will Never Do (Without You)” – many might recognize the vocal from Jamie XX’s “Far Nearer,” but the context in which we find the repeated vocal “I feel better when I have you near me” could not be more different. The spacey, house track is a departure from previous material we’ve seen on Infinite Machine and is undoubtedly oriented towards the dancefloor. “Maisie” tiptoes delicately in the beginning and the focus on intricate instrumentals gives it quieter and more understated feeling than the former track, but the deep bass and lush layers work to create a warm piece that switches seamlessly between a straight 4x4 pulse and an inviting garage shuffle. “Turquoise” brings the diva vocal back into the spotlight and builds an entire atmosphere around it by using driven kicks and claps to set the stage for more and more melodic elements and the supporting sample of “Running down the block” to push the track into bouncing, housey territory that brings to mind recent releases by producers like Jacques Greene. released April 23, 2012
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 14:07 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Framework - It's Killing Me (5:12) 02. Framework - Quater (4:47) 03. Framework - It's Killing Me (Ryan Hemsworth Remix) (4:08) (24Bit) Milo Reinhardt a.k.a Framework (also half duo of Sibian & Faun) Montreal, Canada. "It's Killing Me" has that '90s glitch influence, vocal manipulation that leans into atmospherics, dub beats and underlaying synth pads -- but it's about time the rule book got torn up. There's an unhinged quality that haunts the track courtesy of a manipulated synth pad (which enters around the one-minute mark) that could potentially bridge the mid-heavy dubstep that has taken North American clubs by storm and the subtler, experimental garage-inspired beats that find prominence in the UK. released June 11, 2012
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 20:16 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Nocow - The Man Behind the Suit (4:11) 02. Nocow - I Just Want You (To Know) (5:15) 03. Nocow - Like Apart (6:46) 04. Nocow - I Told You (4:04) The latest release from Montreal’s growing Infinite Machine label is a new 12” from young Russian producer Nocow, alias of St. Petersburg native Alexey Nikitin. The Like Apart EP follows previous releases on labels like Anton Zap’s Ethereal Sound and Hamburg-based Fauxpas Musik, which re-released Nocow’s Juno chart-topping Ruins Tape LP in June. The new EP, available digitally and physically on August 13th, takes the listener by the hand and on a tour through a clouded new atmosphere: all four tracks on Like Apart are crafted from the ground up by Nocow’s forward-thinking use of garage and 2-step shuffle, rounded out with a deep bass that sinks into your bones while disembodied melodies call you further into a dream. The Russian bass music landscape remains a murky mystery to many of us, but Nocow shows listeners that despite being far away, he’s very much entangled in the intricate webs connecting the UK bass world and American house and techno. Let the Like Apart EP pull you away from the white noise of the real world and into a momentary reverie with Nocow's own brand of lo-fi, beat-driven ambience. released August 13, 2012
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 33:52 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Liar - Benzolovers (4:10) 02. Liar - Nymph Hunter (3:05) 03. Liar - Night Swim (3:33) 04. Liar - Fucktoy (3:32) 05. Liar - Giulia (5:28) 06. Liar - Giulia (Arapaima X-Mix) (3:52) 07. Liar - Andreea Dava (3:37) 08. Liar - Mamaia Vice (2:43) 09. Liar - Bruised Knee (feat. Borealis) (3:52) Infinite Machine’s latest release comes from Bucharest-born Liar, who delivers a 9 track release chartering his explorations into the darker side of electronic music, touching garage, dubstep, house and techno along the way. Across ‘Strange Love’, Liar propels through different styles and tempos with musical nods to the likes of Holy Other’s mournful, repetitive textures and Synkro’s skittering garage beats. That said, he prints a unique signature on each track to make it distinctly his – from the warped bassline of ‘Benzolovers’ to the ambience and dragged vocals of ‘Mamaia Vice’. Having previously released on Denmark’s Farver Music, Liar’s music has been supported by the likes of XLR8R and Mary Anne Hobbs on her Xfm weekly show, Music:Response. Although genre classification can help to distinguish the tracks apart, Liar has previously stated that he’s content to describe his music with two words - singular and lonely released October 22, 2012
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 25:50 Наличие сканов в содержимом раздачи: cover Tracklist: 01. ReSketch - Numf (5:28) 02. ReSketch - It Could Be (5:39) 03. ReSketch - Reason for a Reason (5:17) 04. ReSketch - Reason for a Reason (Framework Remix) (5:07) 05. ReSketch - Numf (Liar's Herescu 14 Mix) (4:20) Liverpudlian Ste Burnett, under the moniker Resketch, is an up-and-coming heavyweight of the UK bass music scene. For his Infinite Machine offering, "Reason for a Reason", he doesn't pull any punches. The opener "Numf" is a bubbling spectacle of expertly juggling rave memorabilia. As the vocal cuts repeatedly and brokenly chant "I just wanna dance!", metallic rave stabs set the mood for the flurry of analog bass-scapes to lurch through, while a frenetic melange of grime, post-bahton and UK funky beats propels the track forward. "It Could Be" is a healthy serving of piano-/diva-house, with a side-dish of heavy, purposeful beats, acid seasoning, and an aftertaste of balearic nostalgia. The title track is a sexy and rushed kick drum workout, leading into funked-out euphoria and and oblique rhythmic finale. Notably, there is a persistent dotted/triplet feel to the pulse of the tracks, keeping Resketch in line with the subtle sound that pervades the freshest tunes in UK bass music today. On the remix side, Framework turns "Reason for a Reason" into an imposing display of future beats, driven forward by a back-and-forth of neuro basslines and incessant percussive rattles. Utilizing the vocal cuts in a much front-and-center and glitched-out way, it evokes potent gynoid sensuality. For his remix of "Numf", Liar eschews his usual dark, emotional histrionics and blends together four of his loves: electrofunk, trap, Night Slugs/Fade To Mind aesthetics, and Romanian manele (google it). The end results is 4 minutes and 20 seconds of abject shamelessness, with the heaviest of beats, cone-ripping bass, copious maximalism, firearm samples galore, and the manele sample going (in an approximate translation): "I've been, I am, and will always be the boss of big money. It is known that I'm always a step ahead of all my foes." released November 5, 2012
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 12:30 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Troy Gunner - Masks (5:27) 02. Troy Gunner - The Valley (7:03) Bath's resident prodigy Troy Gunner, having previously cut his teeth with a trilogy of EPs charting leftfield UKG, post-dubstep, and funked-out seemingly-Moog-driven bass jams, joins the Infinite Machine fam with a singular take on dub techno. The "Masks/The Valley" 12" evokes warm currents of hope hovering above desolate, urban sonic scenery. "Masks" unapologetically makes use of the complete definitive dub techno toolset, being driven by a unrelenting yet gentle 4/4 kick, awash with abyssal dub chords. A left turn is taken when it comes to composition, however... the chord progression is in perfect balance between wistful melancholy and untethered euphoria, with Troy cleverly borrowing from trance in his use of filter cutoff to softly lean more toward one or the other. The vocal cuts depart from usual contemporary trappings of either going helium or deepthroat... instead, they are very human, sparse and elegantly understated. On the flipside, "The Valley" aims to be an outstanding DJ tool, with a consistent percussive workout, drenched in chilling dub pulses every other bar. A profoundly autumnal, goosebumps-inducing number. Eyes closed, ears at peak receptiveness for this one. Sweet dreams. released January 14, 2013
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 21:45 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Pixelord - I Don't Need This (2:55) 02. Pixelord - I'll Be There (3:05) 03. Pixelord - Shining Inside (4:18) 04. Zack Christ - Tungo (3:47) 05. Zack Christ - Sumpa Titi Buto (3:27) 06. Pixelord - I Don't Need This (Zack Christ Remix) (4:12) On "Moosebumps", we find two producers at the top of their game taking an unprecendented and unforeseen left turn, in pitch-perfect unison. Muscovite Alexey Devyanin, having attained world renown as Pixelord via his "Fish Touch" EP (on the seminal wonky stable Error Broadcast), further consolidated this firm signature sound with the subsequent "Puzzles" and "Keramika" EPs. On "Moosebumps", however, he delves into territories only previously hinted at (on tracks such as "Equis"). Doing away with the bleeps, the beatsmith aesthetic, and the bombastic nature of his previous efforts, he crafts three works of restrained, focused beauty and diaphanous-yet-meaty sonics. "I Don't Need This", seemingly titled via its concept itself, has Alexey employing a bare minimum, and connecting the dots in straight lines. Every single sound on this track is alternately spotlighted, in dreamy, relaxed succession. "I'll Be There" marries Casio-like-beats, with balearic undertones, with Moby-esque vocal cuts, creating a definitive, yet innovative nod to the 90s. "Shining Inside" is a subtly-oriental, atmospheric and expedient take on future garage, punctuated by rare and effective sub-bass throbs. Production-wise, comparisons can be drawn to post-dubstep alumni such as Blake, Jamie xx, or Airhead, but in terms of songwriting, this is unmistakably Pixelord, allowing Infinite Machine the honor of proudly showcasing what is arguably his most mature work to date. Dane Jakob Einar la Cour, better known as Zack Christ, started things off on the right foot, debuting on Moodgadget in 2011 with his "Lucky Pork/Far East Side" EP, which included the standout achievement in the realm of jazz-tinged found-sound beats, "Synthetik Maztermind". What followed was a rapid-fire of remix work, and several impeccable one-offs via Origami Sound. On "Moosebumps", he flexes his sound-design muscles like never before, delivering his parallel to what was "Turning Dragon" in Clark's discography. On both "Tungo" and "Sumpa Titi Buto", arabesque collages of bonecrunching rhythm evolve and deconstruct before exploding into full-frequency crushing bass workouts, evoking the imagery of a full-on rave from 2172. A similar structure is employed on the split EP closer, his remix of Pixelord's opening track (note the symmetry). However, the climax is playful, hopeful and uplifting, while retaining Zack's penchant for strength... leaving listeners with an appropiate afterglow in its wake, and somewhat-atypical goosebumps. Atypical enough to be deserving of a new name. Moosebumps maybe? released February 25, 2013
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 39:03 Наличие сканов в содержимом раздачи: cover Tracklist: 01. iO Sounds - AFDW (3:57) 02. iO Sounds - Tough Luck (4:08) 03. iO Sounds - Bag of Snakes (4:09) 04. iO Sounds - Always Something (3:52) 05. iO Sounds - Bag of Snakes (Deft Remix) (5:26) 06. iO Sounds - AFDW (Herr Johann Remix) (5:37) 07. iO Sounds - Always Something (Sibian & Faun Remix) (6:12) 08. iO Sounds - Tough Luck (Blacksmif Forge Melded Mix) (5:42) London bass-smith Rob Burn, after February's single tease, delivers his full Infinite Machine wax debut, under the moniker iO Sounds. The A-side features "AFDW", a UKG house interplay of dancefloor-rousing vocal stutters and goosebumps-inducing R'n'B melismas, and "Tough Luck", which we've previously described as " a tour-de-force of everything of superlative appeal in electronic music nowadays", and which has not disappointed upon thorough club testing. The B-side rocks "Bag of Snakes", which builds upon the style of the A-side tracks, while sneaking in more pervasive tech-house elements and a serpentine (wink-wink) progression, and "Always Something", a soulful next-gen deep-house number, featuring one of the most memorable hooks in IM's catalogue. We also proudly offer not one or two, but four digital bonus tracks, in the form of the remix gallery (not including Cloaka's earlier single-only offering). Deft takes "Bag of Snakes" into mechanistic dub techno territory, drenching the original in plenty of atmosphere, while latching it to an impeccable slow-burning 4/4 beat, with a spoken word sample as centerpience... spoken word our listeners are encouraged to heed. Herr Johann gives "AFDW" an emotional, expressive, score-like leftfield treatment. Sibian & Faun increase the BPM on "Always Something", and characteristically bolster the sound design quota, blending urgency and ambience into an alternately gliding and pummeling future bass workout. Blakmsmif's 'Forge Melded' remix of "Tough Luck" is an exuberant closer, showering us with ear candy via its metallic percussion, and coaxing the original's vocals into full-on euphoria via its bed of trance stabs. released April 1, 2013 Artwork by: Anjela Freyja
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:13:45 Наличие сканов в содержимом раздачи: cover Tracklist: 01. 123Mrk - Noname (Framework Remix) (5:41) 02. 123Mrk - Invisible Colors (Deft Remix) (5:27) 03. 123Mrk - Noname (Pixelord Remix) (4:16) 04. 123Mrk - Unrest (Arapaima Remix) (3:16) 05. 123Mrk - Noname (Heblank Remix) (5:38) 06. 123Mrk - Pleasure (Obey City Remix) (4:22) 07. 123Mrk - Noname (Resketch Remix) (6:20) 08. 123Mrk - Pleasure (Village Remix) (3:24) 09. 123Mrk - Invisible Colors (Totte Remix) (5:01) 10. 123Mrk - Unrest (Seapoint Remix) (4:12) 11. 123Mrk - Invisible Colors (Druid Cloak Remix) (4:51) 12. 123Mrk - Pleasure (M.Constant Remix) (5:18) 13. 123Mrk - Unrest (Liar Remix) (3:30) 14. 123Mrk - Pleasure (Herr Johann Remix) (7:44) 15. 123Mrk - Unrest (Troy Gunner Remix) (4:44) This spring, as a tribute to fantastic Frenchman 123Mrk's breakout debut on Infinite Machine, the "Noname" EP, we've proudly put together a hefty, ecletic collection of remixes from peers and fans of the efferverscent post-dubstep innovator. The eponymous track first gets the Framework treatment: a wistful yet energic dense percussive workout. Then, Pixelord spins it into a playful, arp-driven future beats number. Heblank focuses on the original's house elements, and repurposes them as the basis for heavyweight, rave-piano-driven 4/4 banger. Resketch seemingly takes the same initial route, but his take on a house re-imagining is of a more chilled-out, deep and balearic persuasion. "Unrest" is updated to 2013 hit status via Arapaima's faithful, emotional and uplifting trap edit. Seapoint applies his signature stop-start beats dynamic on his take, creating an indefinable, next-gen, quirky and murky bass music banger. Liar, curveballing as usual, employs the talents of piano experimentalist Parachute Pulse and samples one of his own signature tracks to create a metallic, spacey, lo-fi esotech cover. Dub wizard Troy Gunner molds "Unrest" into a contemplative, hypnagogic finale for the release. "Pleasure" explodes under Obey City's touch into a genre-obsolete, exuberant fusion of nostalgic synthwork, sci-fi sound design, and ravey, energizing breakbeat. ViLLΛGE brings his impeccable pop sensibilities to his faithful take on the original, perfecting it into the urgent, slighty trapped-out anthem of this relase. M.Constant, on the other hand, warps it nearly beyond recognition into a sexy melange of bluesy, vocal-driven warehouse techno and UKG. Herr Johann goes the future garage route for his take on it, but eschews the lamentable gloominess oft-associated with the genre, instead opting for thoughtful optimism and an irresistably immersive atmosphere on top of the woodblocks. "Invisible Colors", in the deft hands of Deft, becomes a vibrant post-footwork roller, replete with retrofuturistic synth washes and bubbling arps. TOTTE takes the track into UKG-revivalist territory, utilizing insanely catchy, soulful vocal cuts, talking percussion, and an unbridled sense of fun. Druid Cloak's signature "Broked-n-Cloak'd" approach infuses his remix with a psych-folky, magical quality. Fresh from the grove. released April 29, 2013 Mastered by : Liar
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 37:39 Наличие сканов в содержимом раздачи: cover Tracklist: 01. ill Life - Ever Decreasing Circles (6:24) 02. ill Life - GO (6:34) 03. ill Life - Come Out (5:39) 04. ill Life - Ever Decreasing Circles (Borealis Unmoved Mover Remix) (8:28) 05. ill Life - GO (Kommune1 Remix) (6:33) 06. ill Life - GO (Liar Resex) (4:00) Cambridge resident Samuel Emerson Iliffe, aka ill Life, is driven by a penchant for warping things. Akin to warping his sonorous surname into the „ill Life” moniker, he warps formely innocuous techno fare into a clangorous, concussive march of living, breathing percussion. Samuel's sonics seemingly owe a considerable amount to recent innovations from the likes of Blawan or Perc Trax alumni, however his only fault is taking part in the phenomenon of „synchronous innovation”. Before Karenn coalesced, before Clouds' newest offerings started being rinsed, ill Life had long since moulded his sound. It is Infinite Machine's infinite regret to have discovered him so belatedly. But there's no use crying over spilled trax. „Ever Decreasing Circles" blasts off right away, employing burrowing sounds, and disgruntled mechanical noise that is ostensibly trying to shrug off the tyranny of the relentless 4/4 pulse, but never quite manages. There is conflict at the core of this track, and by the time the subtle tension of metallic dub stabs sets in, and immersive quality of the pitched-down, k-hole vox ruminations takes hold, the listener is smack dab in the middle of it. Staying true to its name, the track constricts further and further, until the ceaseless burrowing nearly instills a body high. Operating in an alternate universe where Moby was a speedball enthusiast, „Go” is an overwhelming rave tirade, insinuating itself with muttered vocal clips and intently punctuated by the reccuring lead sample, while percussion creates a dizzying effect by virtue of its doppler-effect like dynamics. „Come Out” is an arithmetic mean between warehouse and dub techno, driven forth by visceral vibrations in both the perc and lowend. An instrospective number , it provides a welcome mid-EP opportunity to catch one’s breath. Borealis builds on the foundation of „Ever Decreasing Circles” with a copious serving of acid before finally climaxing into his trademark shadow trance euphoria. Kommune1 masterfully bridges the gap between the two essential stompers, seemingly sounding like a megamix of the two. Musical polymath Liar yet again steps in to supply the shameless banger, crafting a cohseive whole from aquatic, Drexciyan electro, an almost comical take on acid, mindless cathartic drumming and very nearly illegal sound design. „I know you're different, cause I'm really normal”, it insists, with no small amount of irony. A nod to all all things warehouse, this „resex” bridges the gap between 90's nostalgia and the forward-thinking histrionics of the original mix. Mastered by Liar. Artwork by Borealis released June 3, 2013
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 14:58 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Liar - Assamite (4:45) 02. Liar - Tzimisce (3:34) 03. Liar - Toreador (2:49) 04. Liar - Lasombra (3:50) Liar's second offering in the cycle just recently initiated by "Mas" is perhaps his heaviest release to date. An indiscriminate love letter to all iterations of rave in the past 40 years, "Que" effortlessly reunites heretofore estranged elements of hardcore, via Liar's blissfully disturbed vision of future bass music. Opener "Assamite" is a dark, brooding, dizzyingly calculated exercise in techno unshackled from the trappings of four-to-the-floor. Spartan and reductionist, it dispenses with melody, instead creating an immersive sonic backdrop for the rapid-fire percussion and billowing bassline. As the incessant industrial impacts begin to dictate your breathing and the ghostly choirs provide a chilling lull, a keyword starts being whispered to you, fully driving home the dystopian opiate aesthetic. "Tzimisce" takes a page from the millenial 'nu-skool breaks' book, and employs multiple 90s breakbeat hardcore approaches, all the while keeping it resolutely 2013. The opening sample chants "they entwine", and upon first listen this becomes seemingly self-referential – the abberant reece coils around the beat with impunity, literally tying everything together with the gusto of a bondage enthusiast or a boa constrictor. On the flipside, "Toreador" is brief, minimalist, and jocular. Blending heavyweight house and cyber-tastic late-80s electro, it revolves around a pugilistic bassline and corroded Eddie Griffin soundbite. Closer "Lasombra" wraps things up in an action B-movie kind of way – with urgency and bombast. The most 4/4 of the four, it is indebted to neuro-house natives such as Noisia or The Proxy, yet departs from their MO via a full complement of Liar's trademark quirks. Metallic rave piano stabs ramp up the pressure, junglist easter eggs line every nook & cranny, sax solos take the edge off, and a chipmunked diva both lionizes and sums up the aim of this EP... ...Which is to get your body moving along with your most questionable thoughts. released June 24, 2013 All tracks written and produced by Liar. Mastering by Liar. Artwork by Liar and Borealis. Modelling by Ana Kopitar.
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 9:16 Наличие сканов в содержимом раздачи: cover Tracklist: 01. iO Sounds & Lakosa - Livewire (4:37) 02. iO Sounds & Lakosa - Got That Swag (4:38) For his second outing on Infinite Machine, Rob Burn returns as iO Sounds with fellow Londoner & regular collaborator Lakosa (known as Steffan Smith to his parents) to deliver two fully-primed dancefloor anthems that cleverly straddle the nexus between the demonic bass weight of today's jungle-informed bassline house and the emotive effectiveness of cinematic house. The result is both refreshing and overwhelmingly relevant. The double single starts with the Dirtybird-approved "Livewire" - a bouncy, energetic display of force that has been been making waves over the last year as it circulated heavily through the sets of most every DJ aligned with the bass music community. It's cinematic pads descend into a mean, growling bass line and ascend again and again, threaded together by the fervent, rolling toms and restless drum pattern rotations that outline the song's meticulously robust structure. On the flip we're treated to "Got That Swag," another uncategorizable house derivative packed to the rim with dirty, bass-heavy fury. With nods to fellow UK contemporaries like My Nu Leng and Kry Wolf, the Balearic, somewhat trance-like stabs belie the electrified bass line that enables the song to progressively delve into darker territory as the chopped vocal sample (from which the track derives it's name) fulfills its percussive duty. While more straight-ahead than "Livewire," "Got That Swag" hovers above classification as a DJ tool as both producers execute a strong balance in the voices and maintain their tenacity for rhythmic variation. released September 30, 2013
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 24:22 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Beaka - In Disguise (5:48) 02. Beaka - Killjoy (6:11) 03. Beaka - Subconscious (6:14) 04. Beaka - Timelapse (6:09) UK’s Oli Brand, aka Beaka, does not pull any punches for his Infinite Machine debut. With 4 trax of ruffhouse antics, the self-titled “Beaka” EP is an exercise in coaxing out the multilateral efficacy of UK bass. “InDisguise” is subversive 4/4 tech-house banger, functional as both set highlight and/or DJ tool, “slow-burning” with urgency via its driving vocal snippet and slithering slabs of acidic bass, before briefly and cunningly exploding into strobing laser madness, only to quickly wrangle us back into the main groove. “Killjoy” is dubstep-in-beat-only, in the vein of trax by fellow bass luminaries Paleman or Objekt. It features restless percussion skittering around a neck-snapping halftime beat, with grimy square subs billowing from underneath. Dubby chords washes evoke a grey cityscape, while an 808 lead melody raises the contrast and lowers the gamma on that mental picture, resulting in the darkest offering on the release. “Subconscious” and “Timelapse”, on the other hand, while employing similar production mechanics as the previous two trax, go the stop-start garage route, bringing in vocals to convey a different outlook for the monochrome urban aesthetic – a celestial and hopeful one. Beaka’s output is one that is comfortable both in club and in home-listening scenarios, and IM is pround to present a release which so deftly showcases his versatility. released February 3, 2014 Artwork: Borealis Mastered by: UK Mastering
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 31:25 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Liar - Erumpo Ortus (4:33) 02. Liar - Cybertime (5:15) 03. Liar - Hekatonkheir (6:58) 04. Liar - Mutagen (4:21) 05. Liar - Phalanx (3:47) 06. Liar - Reforestry (6:30) “Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators, in every nation […] Lines of light ranged in the nonspace of the mind, clusters and constellations of data.” Liar attempts to translate this definition from the very author who first coined the term, William Gibson, to a 4D vantage point. As such, he imagines not only every single point in infinite 3D space theoretically collapsed to a single point upon digitally trivializing distance, but, furthermore, the collapse of every discrete instance of said 3D space into a single, non-linear event, upon digitally trivializing time. Hence, “Cybertime”. Functionally, this equates to music that, seemingly, effortlessly splices DNA from digital conceptualists as Fatima Al Qadiri or Oneohtrix Point Never, from retrofuturists such as Bok Bok or Surkin, from 90’s hardcore stalwarts such a Special Request or Zomby, and from sound design heavyweights such as Amon Tobin or Noisia; all towards achieving a unified, stable construct of antique, classical, retro, contemporary and futurist sonic vocabulary. Opener “Erumpo Ortus” is, potentially, the most cinematic of the six. With the opening sample beckoning one to “dance like there’s no tomorrow”, it’s ostensibly driven by hundred-handed tribal drumming and monolithic choral manipulations. At its basis a simple oldskool electro beat, overall it’s a rousing overture, most committed to the release’s origin- and time-defiant aesthetic. The title track is Liar’s most grime-leaning track since “Alpha” (although, again, barely so). The sluggish-bass-driven, instrumental grime backbone is expanded upon with junglist references, a healthy serving of rave, and a Night Slugs-indebted sound palette. As it progresses, it becomes half adult vaporware, half “Jock Jams” revivalism, and all love letter to Golden Age sci-fi. “Hekatonkheir” is a genre-obsolete piece of bass histrionics. Beginning with a titanic bellow that segues into cinematic orchestration, it timely explodes into dozens of distinct sounds thrashing about, nevertheless, as one single congruous beast. This volley of sound design goes through several distinct sections with operatic flair and pomp, sometimes seeming like a cut from Don Davis’ work for the The Matrix trilogy, sometimes seeming like a saccadic dream sequence, sometimes seeming like a rhythmically-subverted neurofunk banger, and frequently punctuated by ethereal vocals chanting about Iapetus, the third moon of Saturn. On the flip, “MutaGen” divulges some of the EP’s meta-social agenda, envisioning contemporary life as the exploits of a mutant generation, passively engaged in a violent psychic insurrection against the dehumanizing vagaries of hyper-reality. It also divulges Liar’s roots in jungle and his veneration for forefather Venetian Snares, in the form of acid hyper-grime that spastically grooves beneath a surrealist score, before exploding into an amen-driven finale. Continuing “MutaGen”’s rhetoric, “Phalanx” is a blend of New Age samples, sounds of battle, retrofuturist trance and slow-mo footwork. Urgent, intense and unrelenting, its only brief respite is around the 2 minute mark, where it pauses for a breathtaking, uncannily-uplifting trance breakdown, before resuming the sonic siege. “Reforestry” is a lengthy closer that pulls no punches in earning the oft-abused-these-days adjective “epic”. Alternating between martial rhythms, splintering half-time slogs and loungy downtempo swagger, it pulls from myriad palettes, yet achieves a unified effect – that of conveying a sylvan swansong. Around the sonic detritus of a forest seemingly imploding on itself, distorted drones, distant pads, diffuse choirs and, lastly, a demure piano epilogue create a swirling, gothic portrayal of unstill life, laden with the soft, sparse touch of Romanian vocals that go (if Liar is to be trusted) “It was raining infernally, and we were making love.” This is the datamoshed Genesis and Revelations of Liar’s Infinite Machine Bible, circa MMXIV. This is the gospel of how the infinite machine operates in the great singularity cloud of cybertime. Believe. Liar - Cybertime released May 12, 2014 Artwork by Borealis and Liar
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 40:01 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Pixelord - Oasis (4:43) 02. Pixelord - DSL Dream Corp (3:04) 03. Pixelord - Videobar (4:22) 04. Pixelord - Tumblr Girl (3:55) 05. Pixelord - Polygon Fane (3:47) 06. Pixelord - Answer (3:39) 07. Pixelord - Answer (Seafloor Remix) (4:43) 08. Pixelord - DSL Dream Corp (Curl Up Remix) (4:14) 09. Pixelord - Polygon Fane (Druid Cloak Remix) (3:43) 10. Pixelord - Videobar (Thomas White Remix) (3:50) Without a hint of hyperbole, Polygon Fane EP stands as Pixelord’s ultimate manifesto: a testament to the internet and its unbounded nature, embedded within a smorgasbord of eccentric Bass. Returning to Infinite Machine with a vengeance, Hyperboloid boss Pixelord delivers his most compelling and mind-boggling release to-date. Over the course of 6 originals, the Russian pioneer unfurls a confounding display of versatility that stretches from ominous Breakbeats to wonky Club mutations to introspective Juke to cheeky cuts of 80s casio funk (dare we say meta-vaporwave?). Supporting him in his venture is burgeoning heavy weight (and Infinite Machine alumni) Druid Cloak alongside label staple Seafloor, Montreal's neon king Thomas White and Terrorhythm's ever-impressive Curl Up. Together, led by our Russian Prince of the Internet, these gentlemen give a truly comprehensive cross-sectional of the current music landscape. The cheekier cuts point to their Neon brothers Lockah, Gillepsy, 813 and Wave Racer while the moodier songs echo Ital Tek, Lone and Om Unit (and somewhere down the middle lay hints of Seablaze and Ultrademon) released July 28, 2014
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 34:43 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Liar - Hyper-Ego (4:05) 02. Liar - Key Party (6:13) 03. Liar - Club Medz (3:45) 04. Liar - Ha-REM (4:37) 05. Liar - Ha-REM VIP (3:40) 06. Liar - Key Party (Foba Remix) (4:19) 07. Liar - Key Party (Spurz 'Key Bump' Edit) (4:31) 08. Liar - The Ballad of Scorpio (3:34) Liar has flirted with club music throughout the entirety of his output – he’s touched on every conceivable genre and BPM, in the process accumulating quite the arsenal of trax that could warm up a rave, sustain it at peak time, or cool it down at 5 AM. But it’s always been an afterthought in the grand design of his shape-shifting auteur approach. With “Scorpio”, however, Liar intends to quit teasing the club and make her an honest woman. That being said, his commitment is by no means monogamous. Not content to allow himself to be overly influenced by any particular sound that has graced his DJ sets over the past couple of years, he crossbreeds the exponential club innovations of Night Slugs in the wake of “Classical Curves”, the uncompromising vibrancy of the Parisian scene, and the escapism of the UK rave. Grime, jungle, ballroom, metal drumming, new wave, Eurodance, industrial, EBM, jock jams and the kitchen sink also inform the mélange. This is no mere pastiche reel, however. As an inherent geographical outlier, Liar is uniquely positioned to have a truly universal perspective on all the musical languages he incorporates, and he leverages this into an almost academic, yet highly personal oeuvre. Conceptually driven and titled by his ascendant zodiac sign, “Scorpio”, like its namesake, is probing, passionate, precise, powerful, and sometimes precarious. Opener “Hyper-Ego” is equal parts grime tour-de-force, avant-pop, and machine music masterclass. The clap-happy formula and narcissistic aesthetic of Liar’s earlier “Alpha” beast is revisited and revised, diva house vox are cleverly repurposed, the production reins are held taut, and a resplendent, bleeding edge anthem emerges. “Key Party” is a distilment of countless snippets of keygen music and General MIDI classics into a cohesive retrofuturist operetta, adorned with frenzied rave vox and Fairlight-era samples, all of it tethered to a brutalist techno/ballroom hybrid. The cheekily-titled “Club Medz” is subtly elegiac in tone, serenading towards the balcony of drug culture from the terra firma of club culture. An 808 provides the rhythmic foundation atop which acoustic kicks pound away, seemingly affixed to a robotic metalhead drummer’s double pedal, while submerged strings relentlessly bellow and Middle Eastern Korg M1 licks provide the counterpoint. The oriental flavor pervades well into “Ha-REM”, itself also a double pedal pounder. Starting of as a molecular deconstruction of “ha tracks”, it explicitly mourns the demise of their novelty via its pitched-ha-crash-marche-funèbre, before erupting into an almost peerless drum workout, only to segue into the most poignantly emotional moment of EP. Its VIP is wholly suprematist, stripping it to its bare bones, unearthing a bold and tenebrous club tool. Closer “The Ballad of Scorpio” exists somewhere within the triangle of Detroit electro, world-beat and freestyle arena breaks. It is built around a vocoded stanza of one of Liar’s own poems - “Muzzled gun and hidden knife./Father’s milk and bits of coal./I am the evil in your life./I am the good inside your soul.” – which quite aptly sums up the spirit of the EP. On the remix tip, Foba reworks “Key Party” into trapstyle house, injecting tribal NY groove and toning down the brutality. Conversely, Spurz ramps said brutality up to 11 for his acidic “Key Bump” club weapon edit. An ode to past, a testament of the future, and a commentary on both, “Scorpio” is Liar’s present for the present. Raise your head if you believe. Early support from Bok Bok (Night Slugs), SPF666 (Club Chemtrail) and Ra’s Al Fatale (Gang Fatale). released August 18, 2014 Written, produced and mastered by Liar. Artwork by Andronis.
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 24:19 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Effy - Move (6:57) 02. Effy - Move (Troy Gunner Remix) (5:24) 03. Effy - Bourbon Switch (6:48) 04. Effy - Bourbon Switch (Hound Scales Shade 2 Go Remix) (5:11) Irishmen Kieran Craddock & Peter Fleming, aka Effy, after 2 releases on Disco’s Dead and Erimus, respectively, showcasing their jackin’ house and dark warehouse proclivities, and attracting support from UK households such as Swamp81, are now armed and ready to join the IM family. Part of the encroaching brit monopoly of our roster, alongside Beaka, Seb Wildblood, Wallworks/RZR, Kalpa, iO Sounds, Troy Gunner et al, their work on “Distant Sounds” is a testament to our dedication to steal the cream of the crop of UK talent and release it on the other side of the Atlantic. Tee-hee. Now then, on to the music. “Move” is probably the sexiest track we’ve ever put out (barring the dubious sensuality of most Liar trax). “Just a little bit” go the breathy vocal cuts, and the rest of the track complies. Seductive rather than lascivious, it’s pervaded by a less-is-more approach that does away with any superfluous element one might encounter in modern clubbing. “Bourbon Switch” continues among the same lines, albeit being a bit of a punchier, more driving affair. Garage percussion, basslines, house groove, techno gravitas – for anybody familiar with the UK scene, this is nothing new; however, few others juggle these as well, and with as much functionalist immediacy, as Effy do. On the remix tip, things get mental. Troy Gunner takes “Move” into heretofore uncharted territories – stripping down the track even more, utilizing silence and space to spectacular results, and inflecting a thoroughly alien rhythm. Hound Scales does the very opposite, driving his ‘Shade 2 Go’ remix hard, plentifully building atop the original into a perfect morsel for those hungry for his unique brand of outsider techno. Distant sounds from distant future, graciously available to you courtesy of Infinite Machine. ((∞)) released September 29, 2014 Artwork by: Liam Devine
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 27:00 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Seafloor - Let Me Go (4:30) 02. Seafloor - All I Need (4:11) 03. Seafloor - Feelings Gone (4:37) 04. Seafloor - Nothing Is Sacred (3:38) 05. Seafloor - Let Me Go (Warsnare Remix) (6:27) 06. Seafloor - Feelings Gone (Gillepsy Remix) (3:38) After a profound year of critically-acclaimed releases, Montreal’s Infinite Machine is ending their year in glorious fashion with the much anticipated return from Brooklyn producer, singer & drummer Seafloor. The prolific creator and collaborator follows up his highly lauded Lure EP on Astro Nautico with a collection of emotionally-potent yet club-ready Juke/Jungle/Bass hybrids that pay as much respect to London as they do Chicago. Setting the right first impression, Let Me Go is a gentle hike along the water’s edge, soothing and relaxing before tossing us into the rapids with rolling, visceral Jungle. All I Need takes that organic, pulsating vibe and brings it to a soft cinematic level, swapping the Jungle for Juke and echoing contemporaries such as Machinedrum and Om Unit in the process. Feelings Gone is the sinister card in the deck, overlaying Jungle/Juke hybrid percussion on a Rave/Dub foundation, casting a dark, gritty shadow meant for sweaty walls and foggy air. The final original, Nothing Is Sacred, delivers closure with a brooding-yet-airy atmosphere that rides contemptuously above propulsive, broken Jungle/Juke rhythmic exercises. In true Infinite Machine fashion, Seclusiasis affiliate Warsnare gives a darker vision of Let Me Go, cranking the energy up a couple notches with a shower of rudeness. In contrast, Russian wunderkind Gillespy takes Feelings Gone out of the throbbing warehouse and drops into the trap with a proper 808 workout and a sprinkling of gangster tears. released December 1, 2014 Mastered by Kamil Sarkowicz. Artwork by Matthew Young.
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 34:38 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Rights - Cold in the B (5:13) 02. Rights - Heartbeat (5:41) 03. Rights - I Believe (5:07) 04. Rights - On the Phone (5:19) 05. Rights - Can't Forget (5:02) 06. Rights - Understand the Meaning (3:27) 07. Rights - Can't Forget (Photay Remix) (4:48) After an action-packed 2014, Montreal-based vinyl label Infinite Machine are raising the stakes and pushing right through the New Year with the debut of Rights, the new collaborative effort between Sepalcure’s Braille and Infinite Machine mainstay Seafloor. A functional soundtrack for the late winter nights in the city, the Brooklyn-based duo mange to encapsulate the night’s adventurous lure with dynamic House that weaves touching soundscapes over intrepid Bass exercises. The 6-track collection of originals is graceful as it is invigorating, going deep when appropriate, teasing when necessary and breaking after being naughty. Setting the tone, Cold In The B is a frosted dance between chopped pop vocal harmonies and driving bass weight, echoing the early days of Jack Dixon, XXXY & Disclosure. Heartbeat is that red light in the cold darkness, tempting you with warmth. Digging low but not daring to play it cheap, it rolls with the punches and bumps in the night. I Believe carries on the deep, tech-bass infrastructure set by Heartbeat before letting the smooth pads build and burst with the catchy, defining chords that propel the track forward. On The Phone picks up where Cold In The B left off, coalescing cold, eyes-down tones with bouncing bass stabs and loose synths. Blending all the styles established in the release, Can’t Forget & Understand The Meaning are two parts to one, longer piece. The former blends Bass House & Garage with RnB diva inflections to create a driving, understated club track. The latter multiplies the releases’ collective #feels in to a downtempo, half-time score for the brisk sunrise. But, as the sun continues to rise, we’re greeted with the eternal summer vibe of Astro Nautico’s Photay as he twists Can’t Forget into a quirky, playful closer. released February 23, 2015 Artwork by Matthew Young. Mastered by Kamil Sarkowicz.
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 22:47 Наличие сканов в содержимом раздачи: cover Tracklist: 01. LTD Colours - Underline (4:35) 02. LTD Colours - Sweet Treats (4:15) 03. LTD Colours - In Between (4:59) 04. LTD Colours - Extortion (4:30) 05. LTD Colours - Some Kinda Woodstick (4:28) Continuing Infinite Machine’s UK club takeover, LTD Colours contribute the murkiest of the murky for our latest entry … which is odd, considering the hard-hitting duo (comprised of Riccardo Baldoni and Federico Nosari) are from Milan. Their extensive background in jungle and drum & bass production, however, explains their unwavering allegiance to Commonwealth pirate radio sonics. Operating in between that and the Italian scene’s penchant for turning bass music on its head, it’s no wonder their EP is titled “In Between”, and it’s no wonder it’s as liminal as they come. Opening track “Underline” initially teases one with some luscious Kathy Brown vocal cuts before exploding into a fragmented, spacious, syncope-heavy riddim beyond compare. “Sweet Treats” retains much of “In Between”’s stylistic leanings, opting however for a much more aggressive edge, a riveting sense of urgency and a use of the flanger so masterful that it reminds one how sorely the humble flanger has been heretofore missed in modern club music. “In Between” is the nowadays-obligatory-for-any-UK-club-release 130-bpm jungle number – however, it manages to eschew any of the oft-abused trappings of the trend through a very tasteful and sparse use of jungle breaks and a surprisingly four-to-the-floor, functionalist backbone. Moving forward, “Extortion” is a submerged, atmospheric club tool with some absolutely transcendent junglist chord intermissions. Closer “Some Kinda Woodstick” is an adventurous mélange of gutter house, slow-mo juke decoration and heyday dubstep LFO riddims - hinting at some of the Milanese pair’s extracurricular affairs. Limited colours… unlimited rinse potential… released March 23, 2015 Artwork by Marco Fabri.
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 15:36 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Liar - Enoch Dub (4:32) 02. Liar - N0d (3:03) 03. Liar - 1derer (3:37) 04. Liar - 9 AD (4:23) Liar has always been our resident tearjerker here at Infinite Machine. Whether through the esotech balladry of “Undance”, the urbane pop mélange of “Strange Love”, the dream-spawned narrative arc of “Spirewards”, or the sonic megalomania of “Cybertime”, he’s always been adept at dual-purpose musicianship – splicing disparate strands and epochs of music into cohesive works that are both instantly cathartic, and inquisitive upon repeat listen. In the wake of his recent sabbatical, spent developing Tessier-Ashpool Recordings, crafting and curating aural sci-fi, immersed in prescient avant-club 24/7… he’s been aching to let off some steam, curb the functionalism for a second, and tickle some heartstrings again. Which brings us to “Genesis Dubs”. A classical, roots record for Liar, this latest IM EP revisits his first love – 90’s jungle and rave hardcore -, while serving as a repository for his most enduring feelings yet. It finds him now indifferent to the worldly love, hatred and anger that have fueled his past work, and instead concerned with ancestral regret, orphic redemption and immaterial deliverance. The biblical theme was, as such, opportune; but do not mistake this for a Christian jungle record – the Genesis verses that chronicle Cain’s exile are nothing more than ancient Sumerian and Babylonian legends articulated and formalized. And Liar is nothing if not formal. Opener and lead cut “Enoch Dub” interpolates Liar’s first ever recording under his current pseudonym (a disheartened treatise on immortality - the lyrics of which can be found below), before fulminating into a thunderous 140bpm jungle affair, equally indebted to the likes of Dillinja, Goldie and DJ SS, but ultimately its own beast. “N0d” is a rave hardcore stepper that contrasts Chicago house leanings against a subversive, artisanal use of rave mainstays – air horns are pitched and reverbed into sprawling, lush pads, and metallic piano stabs serve an almost percussive function. The only true, 160bpm jungle track on the EP, “1derer”, is, ironically, the least junglist of the four – gothic, tribal and cinematic, it’s the “Inner City Life” that could (and should) have blared from the temples of the biblical First City. Closer “9 AD” is a hurried, reese-laden ambient number that’s as suggestive of apocalypse as it is of paradise – perhaps equating the two? released April 20, 2015 Written, produced and mastered by Liar. Artwork by Andronis.
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 29:05 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Korma - Pariah (4:41) 02. Korma - Orloj (3:46) 03. Korma - Orloj (Liar Optimix) (3:46) 04. Korma - Dismantle (4:21) 05. Korma - ZGMF-X19A (4:37) 06. Korma - Soft Answer (feat. Poor Sport) (3:21) 07. Korma - Orloj (Tomas Urquieta Remix) (4:33) Seattle’s Tommy Mertens, aka Korma, is part of a new disjointed faction of North-American producers - Portland’s SPF666 and Vancouver’s Spurz come to mind -, that, given the barren landscape of EDM, rock, and chill-something that still dominates the American continent, are uniquely motivated to look to European developments for inspiration. Developments which are processed from a distance, en masse, in relative isolation from their birthplace, and through a fitting laid-back lens… resulting in club/grime hybridization which is entirely divorced from a UK dialogue, and more internationally-viable for it. As such, Korma is a bit of well-kept secret in his own town - which, however, hasn’t stopped him from gigging with the likes of Mike G, Total Freedom, Addison Groove, DJ Paypal and DJ Earl, releasing prescient peace edits on Hush Hush Records, releasing two EPs worth of devastating grime-laden club tools on Car Crash Set, and securing forthcomings releases on Team Aerogel and, most saliently, Infinite Machine. IM031, or the “ZGMF-X19A” EP, is titled as such after a Mobile Suit Gundam of the same name – also known as the “Infinite Justice Gundam”… which befits both us and the music. Indeed, Mertens achieved most of its mecha aesthetic through inspired sampling and deft arrangement of decrypted triple-A game soundbanks – allowing him to be sonically engrossing without the usual trade-off in space. The result is a collection of elegantly restrained and steady grime tools, interspersed with completely unexpected, yet welcome bouts of melodic euphoria. This trait is best evidenced in opening tracks “Pariah” and “Orloj”, both of which seem to exist at the intersection of a less bombastic Murlo or Dark0, a plainly happier Loom or Fatima Al Qadiri, or a more earnest PC Music. It’s been a good two decades since sylphid saccharine bliss of such magnitude or sincerity was last visited upon us – and the contrast between the cryonic production aesthetic and the warmth & fuzz engendered in the listener is cognitively delicious. “Dismantle” prolongs the euphoria for the duration of its intro before exploding into a functionalist slog through SFX riddims. The title track subsequently abandons all tonality in favor of a gut-churning barrage of detuning subkicks and an incessant “Warning!” transmission. Lastly, Korma enlists Poor Sport for grime ballad “Soft Answer”, getting romantic with square waves and gunshot samples. On flip duty, Tomas Urquieta, quite enamored with the source material, simply gives “Orloj” a tighter edit, while Spurz (whose remix of “Dismantle” is due as separate DLC) opts for an all-inclusive club primer. Liar’s Optimix™ of “Orloj” sees him revisiting his “Cybertime” sound palette for a dramatic and ever-changing xenogrime romp – more proprietary composition than remix, it’s meant as pummeling, esoteric ode to the sentiment of the original. released May 11, 2015 Written & produced by Korma. Mastered by Liar. Artwork by Geert Wijns
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 30:57 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Roller Truck - Functional P (3:43) 02. Roller Truck - Back Control (4:45) 03. Roller Truck - Hot Pad (4:04) 04. Roller Truck - WIDI (4:34) 05. Roller Truck - White Spin (3:13) 06. Roller Truck - Work Floor (4:35) 07. Roller Truck - WIDI (Galtier 'Drum Effort' Remix) (6:03) Mysterious Muscovite Roller Truck rolls out his debut EP on Infinite Machine. Unceremoniously titled “Roller Truck Sounds Vol. 1”, it nevertheless abounds in ceremony, sporting seven club constructions of increasingly gymnastic percussive workouts. Not shying away from his debt to Night Slugs sonics, he addresses it with the typical outsider charm of Russian bass musicians. Doing what they say on the tin, “Functional P”, “Back Control” and “Work Floor” are Spartan drum tracks of the highest caliber, streamlined for maximum dancefloor efficiency and scarcely decorated with the occasional flanged FX or stuttering hype. “Hot Pad” and “White Spin” maintain the energy, while subtly straying away from purely functional rhythmics in favor of inventive, grime-laden deconstruction. Arguably the lead cut from this EP, “WIDI” has been doing the rounds these past few months, demolishing crowds everywhere – which is not a surprise given the track’s nature as an expertly modernized reinvention of one of the biggest club hits of all time. Lastly, Galtier’s ‘Drum Effort’ rework of “WIDI” is foot-stomping number, idiosyncratically residing at a heretofore uncharted locus that sounds like what an Ultra Music/Ultramajic co-release would sound like. WORK IT. released June 22, 2015 Mastering by Kamil Sarkowicz. Artwork by Marco Fabri.
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 16:47 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Otik - Glimpse (3:32) 02. Otik - Futile (4:52) 03. Otik - Bulldog (3:36) 04. Otik - Strangelove (4:47) In quick succession to his Tessier-Ashpool junglist reinvention via the “Emphasis” EP, Otik follows up with companion piece “Strangelove” – a statement of his versatility, and of the liminal variety possible within the framework of 130-ish BPM breaks-led electronic compositions. Operating on the boundary between a fragmented grime take and a rolling jungle stepper, opener “Glimpse” is as stammering as its telltale vocal sample, urging listeners to “do a double take”… and leading by example, it proceeds to constantly fracture and reassemble itself in real time. Follow-up “Futile” is most reminiscent to Otik’s own previous “Emphasis” (the track this time), or the efforts of the likes of Mella Dee or Benton – reese-based soliloquys, as effortlessly melodic and soulful as they are (put simply) dark and hardcore. “Bulldog” returns to the call-of-response of “Glimpse”, this time eschewing shrapnel dynamics for hypnotic diva/amen counterpoint. Lastly, title track “Strangelove” brilliantly weaves together Motown soul piano samples with ragga glossolalia and heavy breakage, serving as a sort of recursive anthem to black music. Nothing strange about the love we got for this one. released July 24, 2015 Mastering by Allmostt. Artwork by Danny Watson.
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 17:44 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Lokane - Shake the Gears (4:27) 02. Lokane - Million (3:10) 03. Lokane - Eastway Project (5:09) 04. Lokane - The 5th (4:58) Londoner Loz Caulton, PKA Lokane, fresh off his Nervous Horizon debut and his breakout Boiler Room performance, delivers his first EP-length offering, courtesy of Infinite Machine. Titled "The Eastway Project", it comprises four no-frills, no-holds-barred club constructions - mechanistic grime ballistics are interwoven with myriad Afro-Caribbean continua while a clear, vocal-stuttering foundation of Jersey club anchors everything firmly in danceable territory. This is best exemplified on “Shake The Gears”, the EP’s frontrunner cut, which definitely does NOT twist and warp its vocal samples to spell out “dick cancer”. “Million” operates on a similar, if slightly more frenzied praxis. “Eastway Project” then swerves smoothly into the murk, with its blend of sublow antics and dancehall ratatat seemingly a blueprint for heyday dubstep’s resurrection. Closer “The 5th” is an aural manifesto, seemingly blending the entirety of Lokane’s predilections in one perfect document of East London clubbing, as if the man is absorbing the limpid variety of his surroundings and emanating it back as music. released August 28, 2015 Mastering by Kamil Sarkowicz. Artwork by Marco Fabri.
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 23:51 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Tsunga - Drip Diet (7:07) 02. Tsunga - Masstext (5:39) 03. Tsunga - Run Dirt (5:15) 04. Tsunga - Hugo('s) Bo$$ (5:50) After recent massive contributions to Black Acre’s and Trax Couture’s respective catalogues, Tsunga flexes his versatility and uncompromising ferocity yet again – this time courtesy of Infinite Machine. He does this via four prime cuts of deviant dance music, comprising a clangorous, industrial cocktail of outlier musicianship and ordered chaos – lovingly dubbed “Schlangbanger”. Kicking things off is “Drip Diet” – a brutal barrage of uprooted, off-kilter techno, anchored only to the hypnotic glide of its incessant synth whine. As things warm up, “Masstext” rolls in, astride weaponized electro syncopation, wielding corrupted motifs of arena breaks hype – a dark cyberpunk belter with the best of sonic pedigree. At critical heat, the coolant dub of “RUN DIRT” provides much-needed soulful respite, before gradually evaporating into intoxicating junglist fumes. Closer “Hugo('s) Bo$$” - while less streamlined for dancefloor efficacy than its predecessors - is more of an artful document of Tsunga’s manifold talents, blending electro, acid, and rave hardcore alike into a competent exemplar of 90’s revisionism. released September 25, 2015 Mastering by Allmostt. Artwork by Marco Fabri.
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 18:53 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Aphix - ED200 (5:01) 02. Aphix - Ruby Grooves (4:12) 03. Aphix - Into Spheres (4:15) 04. Aphix - Trick or Truth (5:25) 24Bit Seasonally appropriate, Aphix’s debut for Montreal’s Infinite Machine pushes aside the brisk autumn air to reveal an eerie-yet-uncanny collection of four club-ready experiments, due out Halloween Eve. Ruby Grooves is an exercise in disemboweling modern Grime and Club, leaving their structure and palette laid bare within a haunting melodic cathedral, casting a subtle glance towards the likes of Logos, Clouds, Liar, Wen, Visionist and the ilk. ED200 sets the pace with a tabla ricocheting under saturated organs & monk chorus as a broken club beat pulsates beside metallic growls. The title track, following suit, ethereally hovers over a mutated dembow before devolving into a pulse bass call-and-response. Into Spheres resurrects the strings & drums of archetypical Grime, mildly detuned and broken, respectively, so as to unsettle, as a distant church bell reverberates indefinitely in the fog. A cliffhanger of an ending, the farewell Trick or Truth buries distorted pulses under decaying synths, slipping out of hand until it’s gone. released October 30, 2015 Mastering by Cyrcular Mastering Artwork by Jd. Doria
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 39:24 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Tomás Urquieta - Bleak Swamp (1:49) 02. Tomás Urquieta - Apathetic (2:57) 03. Tomás Urquieta - Manuscript (4:56) 04. Tomás Urquieta - Neglect (4:28) 05. Tomás Urquieta - Exiled (5:18) 06. Tomás Urquieta - Mother (2:18) 07. Tomás Urquieta - Exiled (Korma Remix) (4:22) 08. Tomás Urquieta - Neglect (She's Drunk Remix) (5:27) 09. Tomás Urquieta - Apathetic (W3C Remix) (7:49) 24Bit A discarded, leatherbound manuscript, literring ruins, drained of colour. Such is the imagery Chilean Tomás Urquieta has put together as the artwork for his Infinite Machine debut, the “Manuscript” EP. Such is the imagery evoked by his music – seemingly infinitely personal works that been abandoned, fully cooked but never having suffered the mutative process of external curation; beautifully penned and sewn together but foreign to anything but the author’s gaze; found anew amidst the bleakest of environs, a diamond in the rough. In this, Tomás becomes his own archivist and scholar – his own censor and his own advocate. This personality split is immediately evident in the tracks themselves – the foundations are those of very timely, of-the-now club music: part Jersey club, part ballroom, part grime, part industrial, metallic, percussive, urban, jittering yet sparse, driven yet airy… you know the spiel by now. With the style’s viral proliferation in the last couple of years, one could almost call this record opportunistic. Yet the overarching themes, moods and sound palette evoke a far less jubilant outlook on the club experience than most of his peers’. Indeed, this is not music for peak-time clubs as much as it is music for packed dungeons and inhabited ruins – and going by Tomás’ recent adoption into Berlin’s Janus collective, it would seem that others agree. As such, parallels to contemporary club deconstructionists such Lotic or Arca become facile, and serve to further contextualize the EP. With track titles such as “Apathetic”, “Neglect”, “Exiled” and “Mother” appended to (for the most part) furiously energetic and pummeling music, it becomes all the more clear that Mr. Urquieta is trying to work out issues both personal and generational atop an counter-intuitively propulsive framework… and in this counter-intuitiveness one finds both an artful rendering of his aforementioned duality, and plethora of musical masterstrokes. On the remix tip, no less than three remixes bolster an already generous EP to near-full-length status. Korma tackles “Exiled”, and opts to replace its elegiac tone and maudlin melodies for a balls-to-the-wall percussive assault. She’s Drunk subtly upgrades the tech on “Neglect” - nothing more than a single generation. Finally, W3C transforms “Apathetic” into a decidedly energetic intersection of fourth-wave dubstep and no-wave powernoise. released December 18, 2015 Mastering by Cyrcular Mastering. Artwork by Tomás Urquieta.
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 16:34 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Iydes - Leaving Thrice (4:12) 02. Iydes - Skin (5:01) 03. Iydes - £Worship (3:39) 04. Iydes - £Worship (Endgame Remix) (3:42) Londoner Joe Brooks, pka IYDES, having debuted via Dandelion Lotus Records in 2014 and following-up his GETME! release in 2015, is now joining the Infinite Machine fam via an ebullient self-titled EP. A regular of the London club scene, a DIS Magazine favorite and co-curator of the Tropical Waste parties and NTS sets alongside Mixmag digital editor Seb Wheeler, he herein embarks on an exploration of discordant riddim and tropical subversions. Indeed, opener “Leaving Thrice” deceptively evokes nigh-balearic vibes before erupting into off-kilter dancefloor pummeling with subtle afro-caribean inflections. Follower “Skin” takes a more languorous approach, with the interplay of sparser percussion and dubbed-out plucks executing a subdued dembow pulse. On the digital flip, “Worship” takes the proceedings into full-gear, sounding like a bombastic, cyber-augmented instrumental for an Elephant Man track from 2027. Remixer Endgame seems to have taken the same cue from the track, retaining the dancehall slant while pushing it further into digital claustrophobia. released February 12, 2016 Mastering by Cyrcular Mastering. Artwork by Greedy Goons.
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 29:07 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Kommune1 - Galax(o) (7:14) 02. Kommune1 - Phlaetus (7:03) 03. Kommune1 - Axiom (8:30) 04. Kommune1 - Axiom (Effy Remix) (6:19) Leisure System alum Kommune1 has been a fixture of the extended Infinite Machine family for a while now, but it’s only now that he finally graces us with an EP’s worth of originals. “Immolate” is easily his most accomplished work to date, seamlessly integrating his many influences into a cohesive, absorbing whole. Lead track “Galax(o)” is an electronic music scholar’s dream, rife with nods to all of its eras and walks, layered akin to the notes and chords of a perfume. Its ideal candidacy as object of analysis aside, however, this is no home-listening fodder; but a singular techno belter, equally capable of peak-time sustenance or 5am catharsis. Its most easily distinguishable tips-of-the-hat are to early Kevin Saunderson, via its reese-led construction, and to Burial-circa-Loner, via its desolate, dubbed-out atmosphere, ghostly vocal interjections and no-nonsense 4/4 pulse. “Phlaetus” continues the story, less concerned with the dancefloor but, paradoxically, more insistent on rhythm, weaving UKG skip, step and shuffle into the steel-reinforced concrete of the techno backbone. “Axiom”, on the other hand, is an exercise in suspended animation, seemingly capturing an ideal moment in time and repeating it every other beat… only gradually introducing achronic artifacts that seem to gently hold the listener’s hand throughout the hypnotic progression. For their remix, Effy don’t stray too far from the original, but apply a melodic techno masterstroke, in the form of an infectious, otherworldly synth riff. It pervades the entirety of their take, filtering in and out, unwavering. released November 27, 2015 Mastered by Cyrcular Mastering Photo by: Daniel Martin
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 10:39 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Iydes - Leaving Thrice (Tsunga Remix) (5:29) 02. Iydes - Leaving Thrice (Lorenzo BITW Remix) (5:10) 24Bit released February 15, 2016 Mastering by Cyrcular Mastering. Artwork by Greedy Goons.
foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 10:53 Наличие сканов в содержимом раздачи: cover Tracklist: 01. WWWINGS - Glacial (3:05) 02. WWWINGS feat. Endgame - Gravity (2:51) 03. WWWINGS - Afflication (2:31) 04. WWWINGS - Cypher (2:26) released March 25, 2015
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 37:02 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Alfred English - Air Grid (4:57) 02. Alfred English - Proximity Mine (4:40) 03. Alfred English - Piston (4:16) 04. Alfred English - Extraction Console (4:05) 05. Alfred English - Piston (Tsvi & Luru Remix) (5:21) 06. Alfred English - Piston (Patrick Brian Remix) (4:28) 07. Alfred English - Piston (WWWINGS RMMMX) (3:06) 08. Alfred English - Piston (Etevleh Remix) (6:09) 24Bit Marking the beginning of a new era, ULTRAMAJIC label manager and internet savant Alfred English welcomes his anticipated debut on Infinite Machine. Perhaps more serious than his visual artwork, the “Piston” EP sees Alfred craft club music that is as strangely heavy and hardcore as it is comforting and emotional. Rather than filtering the fleeting trends of the grime/club wasteland, the Los Angeles artist takes to the vast, industrial tradition of weaving hardcore with dark, broken beats and emotive, retro chords, built with the attention of an IDM or EBM producer. Opening song “Air Grid” (available from XLR8R as a free download) is an experiment in syncopation and the art of continual tension building, rhythmically contrasting the dramatic synth stabs against regionally-rotating drum patterns, nodding to ‘80s electro as much as it does to classic Jersey club, and embodying the spirit of Jimmy Edgar, DJ Haus, and early Hotflush. “Proximity Mine”, the second track, heavily electrifies the basis of “Air Grid”, leading industrial techno stabs in a brutal, pulsating call and response over a driving, concrete club rhythm. In the second half, Alfred summons up the likes of Alex Coulton or early Distance with an oscillating, half-time deconstruction that paralyzes the violence of the first half. With an inviting, emotional introduction, the EP’s title track, “Piston”, doesn’t take long to collapse into a merciless, alien assault. The light, club beat is simple yet clear, the melody is subtle but catchy. It is heavy, but contrasted by its strange, brief sincerity and tactical use of negative space, it consumes as much as it comforts. The EP closer, “Extraction Console”, is perhaps the most comprehensive of the bunch. As if a morning conversation between birds was industrially-translated, wonky, drunk synths flip over and over between hip hop, electro and club rhythms before the drop D power chords call back. For the sake of full scale club assault, four were asked to remix Piston. TSVI & Luru flip it fully into a slow-burning club tool, underlined by ominous trumpets and straightforward Afro-Caribbean rhythms. Patrick Brian plays up the original’s contrast with an extra emphasis on the angelic chords between the sci-fi assault, and an extra dose of snapping snares. WWWINGS do as they do best, and frame “Piston” as a haunted, gothic dub. ETEVLEH then meticulously deconstructs it, only to rebuild it into a chaotically beautiful battle of strings, steel drums and grime, as if it were the theme from a metaphysically-fucked anime. released April 29, 2016 Written & produced by Alfred English. Mastered by Cyrcular Mastering. Artwork by Alfred English.
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 18:35 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Aphix - 50 / Thrifty (5:44) 02. Aphix - Wester to Gold (6:57) 03. Aphix - Chemtrails (5:54) Following his fractious grime debut via yours truly, the Bristol-based Aphix (not to be confused with AFX, the ubiquitous braindance harbinger of auld) claps back with sophomore EP “Chemtrails”, a three-track diversification of his already-versatile palette. Opener “50/Thrifty” is a nocturnal, languorous traipse through timelapsed urban environs, night life flashing by the listener, who moves as if submerged. Broken beat and dub take precedence here, with Aphix’s grime signatures present only in the hollow, distant ostinato and square wave bass. A haunting snippet of female spoken word interjects every so often. Sounding like (if one may) Bicep leaving their comfort zone and doing something for Keysound, it’s nevertheless completely within our boy’s comfort zone, and a hypnotic, subversive ohrwurm at that. Follower “Wester to Gold” continues down this path, albeit shifting gears into fully eerie territory. Title track and closer “Chemtrails”, for lack of a more apt comparison, channels heyday Ramadanman via its quizzical, ever-tentative call-and-response beat and wistful melodic overlays. Nevertheless, it’s impossible to categorize… or to even deconstruct, really. With everything so perfectly intertwined, it moves as a single congruous entity, amorous and seductive, lulling the listener into a genuine sense of security and well-earned respite. Quite unlike what chemtrails are purported to do. released May 27, 2016 Artwork by J.D Doria Mastered by Cyrcular Mastering
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 23:06 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Ziúr - Fever (4:30) 02. Ziúr - Nails (3:35) 03. Ziúr - Taiga (3:50) 04. Ziúr - Lilith (feat. RIN) (3:36) 05. Ziúr - Fever (Born in Flamez Remix) (3:54) 06. Ziúr - Lilith (feat. RIN) (Air Max '97 Remix) (3:42) 24Bit The Berlin-based, Peaches-vetted and GEGEN-centric multi-disciplinary DJ/producer Ziúr, might be our biggest and best surprise of 2016 (so far at least). The demo blew our minds – and we think it’s not farfetched to assume that the subsequent EP that came out of it will blow your minds as well. In an environment that’s recently become so saturated with “Classical Curves”-indebted logical extremes, paroxysmal club convulsions and/or rhythmic noise revivalism, it’s all become a bit of a glass-shattering and kick-rolling arms race, that lends itself to a lot of grassroots SoundCloud enthusiasm from (and for) johnny-come-latelies, but a lot of eye-rolling and mounting boredom among us early-adopters-by-design. Therefore, it’s completely refreshing to see and hear Ziúr completely dominate said arms race by essentially paying it no mind. There is no audible effort to impress or one-up, there is no other musician being audibly aped (as is often the case, sadly), and there doesn’t seem to be a kick-per-bar record being challenged at every juncture. Instead, Ziúr is just that – effortless in her execution. Instead of high-T histrionics or low-T lashings-out taking advantage of the current freeform climate to falsify artistic merit out of artistic bankruptcy, Ziúr conversely absorbs said climate into her own universe and explores it with peerless feminine grace and carefree, jocular wit. Instead of the angsty, contrarian, overwrought complication of her contemporaries, Ziúr offers thoughtful, virtuosic complexity as a sincere exhibition of her self to the listener. That said, “Fever” starts listeners off from a semi-familiar entry-point. The tune is, deceptively, a “textbook” (in as much as a textbook for these hybrids is starting to surface) grime/club/dembow/ha track, on a surface level. But it’s not before long that it starts equally deconstructing itself, and the stylistic functions it interpolates. The hollow square-wave grime synthwork makes an appearance, yes, but it’s more as chromatic, stuttering trance flourishes. The ha is audible, but only noticed several listens in, and even then one can only guess as to whether it’s the classic MaW sample (processed to within an inch of its life), or simply one of Ziúr’s proprietary percussive devices filling a comparable role. Regardless, its use is vital rather than decorative, its function expressive rather than referential. “Nails” is Ziúr’s flex moment – a crushing, cacophonous, yet funky and fun-loving push of the drum programming envelope, that playfully touches on the IDM-ification of clubbing without succumbing to it. In fact, the polyrhythmic patterning of extreme groove metal (particularly of the Swedish variety) comes to mind. Imagining this track being barely done justice by Meshuggah’s Tomas Haake, for instance, is not an outlandish prospect. And the call-and-response dynamic of its recurring main section – which feels as if the track disintegrates and then stumbles to reassemble in time for the next downbeat – is absolutely delicious. The title track is, oddly, the least definitive or lasting of the four originals in its impact – a negative-space-laden, Transformers-roll-out-sampling exercise in scarcity, its role is for Ziúr to know and for listeners to figure out. Closer “Lilith”’s Vocaloid-esque requiem is equally daunting and mysterious, as Brussels performer RIN lends her distinctive Japanese monotone, casually blending moé and machine into an intoxicating timbre. Remixes from fellow club fringe-mongers Born In Flamez and Air Max ’97 round out the package. released July 1, 2016 www.stefanfaehler.com Mastered by Cyrcular Mastering
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 11:27 Наличие сканов в содержимом раздачи: cover Tracklist: 01. B.YHZZ - HOL (4:54) 02. B.YHZZ - AGES (3:12) 03. B.YHZZ - REDU (3:21) Polish producer B.YHZZ (pronounced ?be wise?) joins the ever-expanding Infinite Machine roster this July, treating us to his debut EP “Contra”. Stylistically drawing from the same pool as some of our other recent signees, such as WWWINGS, W3C or Ziúr, his EP is aptly titled in that there is abundant counter-cultural energy underscoring the proceedings. Situated on the fine line between extreme club and rhythmic noise, and alternating between tense musique concrète arrangements and all-out cybergrind blasts, “Contra” is a treatise on an idealist mutability of clubbing. Glitched, retriggered and/or mercilessly processed car alarms, tire skids, beer can tab pops and guttural NYHXC vocal samples set the stage for deluges of low-end drone and volleys of gut-punching percussion. Whereas tracks “AGES” and “REDU” attempt a measure of restraint – the former via a dembow-indebted flow, the latter via a seeming Rotterdam-gabber-in-triplet-form gait, it’s on opener and lead track “HOL” that B.YHZZ pulls no punches. Overlaid with occasional cyberized interjections and incessant whispered incantations, “HOL” maintains a hypnotic, subliminal groove while pneumatically hammering into listeners, at surface level. This is the true promise of Eastern Bloc, post-communist, brutalist, unfettered punk – for the first time fully hinted at. released July 29, 2016 Artwork by B.YHZZ Mastered by Cyrcular Mastering
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 23:58 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Galtier - Chain (4:37) 02. Galtier - Gold Bones (4:09) 03. Galtier - Charm Complex (5:13) 04. Galtier - Chain (Iydes Remix) (4:48) 05. Galtier - Gold Bones (Luke West Remix) (5:12) 24Bit The 46th release for Infinite Machine (and the 6th for 2016) follows some of the year’s most acclaimed club releases. But unlike Ziúr, Aphix, and Alfred English, the music of Bristol’s Galtier possesses a certain patience and fluidly that, in club music, is often traded for urgency and rigid structures. That isn’t to say the Apothecary Compositions alum and Nostro Hood boss is without a dystopian, stark vision on his “Myth Codes” EP—due out August 26th. The 3 song EP (with 2 remixes) starts with the rhythmic work out “Chain,” with its deep hollow reverb and simple flute that come to act as motifs for the EP. The most playful of the triad, “Gold Bones” breaks a dembow over pan flutes before the leading siren and comforting pads carry us through. The final “Charm Complex” starts off as quite the haunting brute, before inviting in a eerily choir and our overarching flute—this time a direct nod to Herbie Hancock. On remix duty, Infinite Machine family member & Tropical Waste co-founder Iydes revamps “Chain,” giving it a fierce industrial sound and a hard dembow. Lastly, Sans Absence member tackles “Gold Bones,” capitalizing on it's playful spirit and stripping back the ferocity, keep the warmth and rhythm up front. released August 26, 2016 Mastered by Cyrcular Mastering Artwork by Marco Fabrio
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 27:42 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Tomás Urquieta - La Muerte De Todo Lo Nuevo (3:39) 02. Tomás Urquieta - Anatomía (4:16) 03. Tomás Urquieta - Distopía (3:23) 04. Tomás Urquieta - Incierto (3:12) 05. Tomás Urquieta - Anatomía (M.E.S.H. Remix) (5:23) 06. Tomás Urquieta - Distopía (Ziúr Remix) (2:46) 07. Tomás Urquieta - Anatomía (Ausschuss Remix) (5:02) On the tail of his 2015 oeuvre “Manuscript”, which we deemed “a far less jubilant outlook on the club experience than most of his peers’” and “music for packed dungeons and inhabited ruins”, Tomás deepens his dialectic for his 2016 outing, “La Muerte De Todo Lo Nuevo”. In stark contrast with language of its title, it’s a far less Latin-inflected body of work than “Manuscript”. And in complete agreement with the concept of its title, it does indeed sound like “The Death Of All That Is New” – seemingly oxidizing the stainless steel of of-the-now club music in real time; seemingly demolishing its marble structures in slow motion. The title track cheekily interpolates a haunting, bespoke variation on the “Alla Luce Del Giorno”/”Chase The Sun” melody atop plummeting percussive concretism, only to gradually unravel into beautiful plucked ostinato with cello accompaniment. “Anatomía” exists at the odd, but serendipitous point of convergence between a hard, driving, clattering techno track, a sparse Hysterics-esque tool, and a Noah “40” Shebib beat. “Distopía” begins as something you might hear in a Slipknot skit or hidden track, incrementally adds sparse, fleeting, fragile grime elements, and unceremoniously erupts into a furious volley of snares just as the background harmony reaches its most vulnerable and wistful. Asymmetry and counter-intuitive structure pervade the track – at first unnerving, this progressively subverts expectation and leaves the listener a blank slate, just in time for the finale’s barrage, leading to a touchingly human and intimate moment. Lastly, “Incierto” is just that – uncertain; meandering as an artform; confusion executed with utmost precision. On the remix tip, peers M.E.S.H., Ziúr and Ausschuss provide ersatz “alternate takes” to “Anatomía”, “Distopía” and, respectively, “Anatomía” yet again, conveying the synchronicity that suffuses and defines their loose collective. released September 30, 2016 Artwork by DMNC Mastered by Chris Daniels
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 8:03 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Distal - Reebok Blood (4:02) 02. Distal - Hostage Track (4:01) With his ability to toe the line between moody club music and experimental sound design, Distal seemed an appropriate and welcome addition to the Infinite Machine camp. The inaugural track 'Reebok Blood' starts out with a thick, plodding, reverb-heavy canvas for the rest of the composition to splatter it sounds upon. Sudden bursts of distorted kicks, chimes, water, and ambient noises guide the way into a beautiful array of emotive choir melodies. The penultimate of the track adds an aggressive out of control lead synth that acts more like a guitar solo than a synthesizer jam. The hungry synth sounds like its angrily eating away at the core of the track before slowly backing away when it's had its fill. 'Reebok Blood' is emotional, and at times you feel as if you're floating fast through an immense object minutes before its explosion. At the end you're miles away watching it disintegrate into nothingness. 'Hostage Track' is a nice accompaniment to the opening track as it sticks with the dark themes explored in the opener. 'Hostage Track'starts out with a mystic, almost halloween inspired bell melody paired with a low end baltimore kick pattern. In classic Distal style, a chopped up hip hop vocal rides on top of a wave of filtered snares until it explodes into a large chapel room where the bell has simplified itself into one long hit. Surrounding this rounded mix is a variety of angular glass breaking fx that contract and expand themselves randomly. 'Hostage Track' adds a slightly more conservative (dj-friendly), but highly effective dynamic to the release without losing any of its creative power or originality. Words by Distal. released October 28, 2016 Artwork by DMNC Mastered by Cyrcular Mastering
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 29:02 Наличие сканов в содержимом раздачи: cover Tracklist: 01. W3C - Ascension (Intro) (3:06) 02. W3C - Xenotrak (6:14) 03. W3C - Bot-o'-War (8:23) 04. W3C - Short Circuit (5:04) 05. W3C - Invasion (6:15) 24Bit Latvian producer W3C, taking his moniker from the acronym for the World Wide Web Consortium, affords oversight to the totality of the Internet comparable to his namesake standards organization. And where the latter concerns itself with education, outreach and software development, the former is a pastiche and collage savant – using online connectivity and access to wrangle all strains of electronic music and collide their respective particles into an unrecognizable, yet eerily inviting sonic edifices. Debuting in style, earlier this year, with the vinyl-only “Atmospheric Entry” EP, via Pinch’s Tectonic-side-venture Cold Recordings, W3C now joins the Infinite Machine family with “State Of Absolute Alienation”, on 12” and digital. Opener “Ascension (Intro)” does what it says on the tin – it stands as an apt overture to the proceedings herein, leaning on harsh, bass-heavy noise bursts before sprinkling in grime decorations and ascendant, reverb-drenched, hollow-synth contrapuntal melody that very much anchors the record into the now, referencing the likes of instrumental grime revivalists such as Dark0, Murlo or Slackk. “Xenotrack” then shifts gears into what sounds like an inspired take on the psytrance of yesteryear, only slower, steadier… A degraded, alien morphology supporting a nonetheless “club” grammar - making the title, yet again, quite self-explanatory. …Which rings true a third time for “Bot-o’-War”, a raucous industrial epic which evokes a combat deployment scene in a mecha-centric direct-to-video feature, wherein the subtle naval theming of the title is aurally transcribed into the suffocating, submerged sound design of the latter half. On the flip, “Short Circuit” (the grimiest of the lot), an unintuitive blend of Mumdance doing his thing, a run-of-the-mill “Ice Rink” homage and a trap lead that could turn heads at a GHE20G0TH1K party, somehow works. Finally, “Invasion”, replete with sci-fi-blockbuster-trailer aesthetics, sounds like if Two Steps from Hell remixed a mash-up of individually much subtler cuts from Pan Sonic and Gatekeeper, respectively. Absolute alienation indeed. released February 24, 2017 Artwork by: Jes Somfay
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 27:37 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Abyss X - AMADEUS (3:20) 02. Abyss X - Summon (3:40) 03. Abyss X - Couldn't Care Less (3:40) 04. Abyss X - WWW BODY (3:00) 05. Abyss X - She Bruise (3:27) 06. Abyss X - EsoterrorismØ II (feat. XHOSA) (3:14) 07. Abyss X - She Bruise II (feat. Violence) (3:48) 08. Abyss X - KIKT (3:28) 24Bit Abyss X's debut mini album is a Riot piece. It's title's significance is imprinted on every track. "The sound was not designed to be digestible, despite its futuristic nature it doesn't fall into the slick production and sound norm of the now "future club" genre. Its like a language that you can't really grasp but it speaks the truth and you can feel it in your gut. Nüshu is not here to please the ear, quite the opposite, the tracks are there to bring a sense of discomfort but also to act as a means to release emotions of anger and frustration. Nüshu is essential "riot" gear. Words by Abyss X released November 24, 2016 Artwork by Abyss X Mastered by Liar
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 9:30 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Santa Muerte - Void (feat. WWWINGS) (2:36) 02. Santa Muerte - Hollowed (feat. Tomás Urquieta) (3:40) 03. Santa Muerte - Dangerous Scenarios (feat. Rules) (3:14) 24Bit The final release from Infinite Machine for 2016 comes from Houston-based duo Santa Muerte, comprised of Leory Bella (pka SINES, also the founder of the now-defunct prominent US Club label Freshmore Records) and Francisco Briones (pka PANCHSM). Cicatriz EP is the second EP from the duo, following their lauded Oraciones EP that came out this summer on their own label Majia. Featuring unique collaborations with other Infinite Machine artists on all 3 tracks, Cicatriz does well to provide a cross-section of the current Club music atmosphere, despite its relative shortness. WWWINGS interlay their signature gothic industrial framework into "Void," whereas "Hollowed" with Chilean producer Tomas Urquieta is, quite literally, electrified with a dystopian form of being playful. The closing track features a collaboration with Bala Club-affliated Rules (as well as his voice) that is an artistic interpretation of the internet's endless resampling. released December 16, 2016 Mastered by Allmostt. Artwork by Zachary Elizondo
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 50:06 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Keru Not Ever - Granite (1:26) 02. Keru Not Ever - Ode to the Past, Present and Future (3:58) 03. Keru Not Ever - Blue Strobe Pastiche (4:18) 04. Keru Not Ever - Closers (5:11) 05. Keru Not Ever - Fusing Zeitgeist (4:59) 06. Keru Not Ever - Airflow! Velocity (4:15) 07. Keru Not Ever - Scanners (5:34) 08. Keru Not Ever - 19 Stab Wounds (7:21) 09. Keru Not Ever - Dogville (3:40) 10. Keru Not Ever - Bleached Canons for Peace (5:22) 11. Keru Not Ever - Pink Chrome and the Smile of Karenine (4:03) 24Bit Debut album "Tereza" by the enigmatic Montreal-based producer Keru Not Ever. released January 20, 2017 Mastered by Cyrcular Mastering
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 5:40 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Born In Flamez - 50 Down (3:31) 02. Born In Flamez - Careful You Might Tear the Sound (2:09) Debuting with the ethereal “Time Hurtz” on Modeselektor's “Modeselektion Vol. 3” compilation, Berlin artist Born In Flamez began by giving us everything and nothing – a deeply personal work nonetheless divorced from context or identity. Not that BIF ever defaulted to anonymity… the person behind the music was always front-and-center, yet inscrutable. The song’s equally diaphanous and commanding vocal work, its lyrical soliloquizing of hesitance and stasis, its gripping emotional qualia – these would demand in the listener an intimacy that is usually exclusive to pop fandom, while providing no hand-holding narrative outside of the music itself. This novel approach would continue throughout the UnReaL EP debut, the IM-released collab with Modeselektor, “TBF”, and culminate in Infinite Machine’s 53rd main series release, their first of 2017, and BIF’s sophomore EP – “Careful You Might Tear The Sound”. And despite the proclamation of frailty, BIF’s newest music is nothing but. Wistful, yes. Wounded, yes. But there is strength, catharsis and transcendence encoded within. These sounds are tear-proof. The loopy, mechanistic dembow of the title track gallops onward with tenacity amid sombre angelic incantations and off-beat numbers station interjections. The demure 7/8 gait of “50 Down”, and its nursery-rhyme-inflected calliope/Triton melodies hide deeply mournful social commentary on (and the eulogizing of) the Orlando Pulse massacre. BIF’s titular instruction might be reflexive – indeed, when the vitreous, FX-destroyed vocal motifs chime in, there is a sense that the track is ripping itself apart. And it is wonderfully poignant. released January 27, 2017 Artwork by Stefan Fähler
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 19:53 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Wolf & 111X - Final Star (3:21) 02. Wolf & 111X - Wounded Alien (4:13) 03. Wolf & 111X - Wounded Alien (Astrosuka Remix) (3:34) 04. Wolf & 111X - Wounded Alien (W3C Remix) (8:45) For his sophomore ouevre, Charlie Juarez, pka WOLF, enlists Helsinki youngblood and upcoming IM debut 111X on a deconstructed club romp of heretofore-unmatched ferocity. While 2015’s debut “No Love” saw the lupine head of Infinite Machine snarl, growl and bark his way (alongside Liar) through a modernized take on heyday dubstep and jungle, 2017’s “Final Star” sees him bite, recalling the energy of his countless post-hardcore and screamo past outfits. “Final Star” is an exercise in unrestraint, from start to finish. Utilizing the sonic palette of twenty-teens 4k 3D Zimmer-singularity movie trailers, it never de-escalates, starting at 11 and ramping up the tension to incalculable, irrational extents for the entirety of its 3’20” runtime. At the 1’7” mark, what seemed like a potential arrhythmic, experimental drone piece instead abruptly shifts gears (pun intended) into a hulking, thrashing, lumbering gait of titanic machinery and contrapuntal hauntings – reminiscent of an Akira Yamaoka piece for a Silent Hill combat section, in hyperdrive. Clocking in at 114 BPM in 4/4 time, it nevertheless seems deceptively fast and deceptively odd-timed throughout – a testament to the two producers’ extremely clever arrangement. And despite the fact that calling it ‘busy’ would be an understatement, it benefits so much from horizontal mixing and congruous design that it never overwhelms, but always hits like a truck. A truck that defies Euclidean geometry and Earth-gravity critical mass. “Wounded Alien” is a perfect companion piece – it’s ever-so-slightly more subdued, in that it allows for a brief midsection of dulcet synth respite and the skittering sound design that aurally describes our titular alien’s asphyxia death throes, before and after exploding into downlifting staccato trance bombardments and call-and-response metal-on-metal crime. The track comes in two with two alternate takes from Astrosuka and W3C, respectively. Astrosuka’s remix opts for harmonic poignancy and an outsider-gqom-cum-Gantz-Graf-tribute approach, while W3C’s opts for martial rhythm and dubbed-out, tribal flair. While a prodigious surprise from 111X, this is WOLF’s first (and Infinite Machine’s umpteenth) foray into what one might call ‘important work’. And “Final Star” is indeed important. Firstly, it is an EP-length victory lap to a long and storied career in music, that is only now hitting its third act. Secondly, it is a powerful statement of Charlie’s affection for indie sci-fi horror (a la Cloverfield et al), which almost unwittingly unearths the missing link between the psychological unease of those films and the grand cosmic terror of their Lovecraftian influences. Thirdly, it’s deconstructed club’s first instant classic – the questionable genre’s first defining, legacy release, that both lays out its emergent descriptors and subverts them completely… in one deft, masterful swoop. Do not sleep on this. And don’t sleep on Liar’s upcoming DLC Optimix™, coming later this spring. released March 31, 2017
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 21:52 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Bungalovv - Ulna (2:41) 02. Bungalovv - Tregua (3:52) 03. Bungalovv - Fémur (2:33) 04. Bungalovv - Healing Snakes (4:00) 05. Bungalovv - Fúrcula (3:23) 06. Bungalovv - Herido (5:23) Infinite Machine is happy to welcome Pablo Betas, aka Bungalovv, to the family with his debut EP Luz Mala, out digitally worldwide on April 28. Through six originals, the Argentinian producer illustrates a view of his home country yet to come; a uniquely localized and folk approach to global club music that retains the dystopian DNA that binds it to the larger community. A key member of the Argentinian label and collective TRRUENO, Bungalovv is staged to tour the US in Fall 2017 and is already working on his debut LP for Infinite Machine scheduled for 2018. released April 28, 2017 Artwork by Gabriel Valansi Mastered by Jeremy Cox Tracks mixed by Sergey Kolesov
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 25:10 Наличие сканов в содержимом раздачи: cover Tracklist: 01. B.YHZZ - Wanderer (4:11) 02. B.YHZZ - Inside (2:19) 03. B.YHZZ - Rinnoji (3:49) 04. B.YHZZ - Seeds (3:02) 05. B.YHZZ - Rinnoji (Endgame Remix) (3:59) 06. B.YHZZ - Wanderer (Imaabs Remix) (4:51) 07. B.YHZZ - Inside (Chino Amobi Remix) (2:57) The 7 track EP "Via" follows up his 2016 debut EP " Contra " released on Infinite Machine. B.YHZZ is also a co-founder of the Intruder Alert collective / party, alongside KRY, IMMUNE and GRAŃ. The EP includes remixes by the NON co-founder Chino Amobi, Hyperdub's Endgame and Imaabs. released May 26, 2017 Artwork by B.YHZZ Mastering by Cyrcular Mastering
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 31:19 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Only Now - Motor L R (5:16) 02. Only Now - Liquid Eyes (4:08) 03. Only Now - Timeslave (5:38) 04. Only Now - Psychic War, Pt. 1 (3:33) 05. Only Now - Bound (3:03) 06. Only Now - Remote Viewing (4:37) 07. Only Now - Psychic War, Pt. 2 (5:04) 24Bit Artist Concept: When Only Now was started, it was literal with it’s name : presenting landscapes that had no boundary to the past or future, only with the moment in mind from a cosmic standpoint. Distinctly esoteric and ritualistic, Only Now was to be “power music” for the spirit and body to propel the listener to a self awareness of being, verses a higher state of consciousness or transcendence to a particular plane. At first there were a few records of dystopian, cyberpunk, and political themed references and inspirations, but as the project progressed into the beginnings of this record, I felt a much more esoteric calling, speaking of the matters of all things unchanging and enveloping in this universe in my inspiration. The one binding force is TIME. Our power is how we interact and manipulate, or disconnect from time. Money can buy anything, but our mortality (so we thin is bound by it as well. Title track "Timeslave” first came into being, encompassing all those themes. The two pieces of “Psychic War I and II” approach the only thing a human can do to conquer the constraints of linear time, which is extend their ability to merge past and future and see the future or past. This leads us to “Remote Viewing” is conceptually tied to “Psychic War” as it touches on governments attempts to add mental warfare to their arsenal, forging attempts at crossing the 4th dimension. released June 30, 2017 Mastered by Cyrcular Matering Artwork by Eleventh Vision
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 10:27 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Alis - Sai (5:38) 02. Alis - Strong (4:49) RBMA alum Sabina Plamenova, pka Alis, fka Subeena, has had a long and storied career, spanning more than a decade, a musical trajectory that competently tackled everything from dubstep and garage to techno, collaborations with the likes of Jamie Woon and Matrixxman, and cosigns from the likes of Surgeon and Mike Paradinas. For her IM debut, Alis dons all of her many faces for a holistic, integrated cross-section of her vision. "Sai" is a haunting, hypnotic hybridization of dubstep riddim, techno rigor, drexciyan humidity, and subtle decon club inflexions. As the track moves along, Sabina's ethereal vocals usher in a devotional and sombre mood, before returning to a breezier, Detroit-Berlin axis arp sequence. "Strong", a lower-BPM affair, manifests as a powerfully dubbed-out, reductionist , new age body music chimera. If hybridization of this caliber seems unfeasible to you, simply imagine instead something you won't ever hear anywhere else (in the best of ways)." released August 25, 2017 Artwork by Rachel Noble Mastered by Cyrcular Mastering
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 19:29 Наличие сканов в содержимом раздачи: cover Tracklist: 01. MUN SING - Revenge (3:36) 02. MUN SING - Eye (3:35) 03. MUN SING - An Illusion (3:22) 04. MUN SING - Emerald (4:42) 05. MUN SING - Revenge (Tomás Urquieta Remix) (4:13) 24Bit Bristol-based and half of the mighty duo Giant Swan, Mun Sing. Debuts on Infinite Machine with a vigorous 5-tracker titled "Witness EP". Awash with reverb and mired in distortion, cold and militaristic, decentralized and post-ethnic, both over- and under-produced, reclusive and yet inviting - a strong late-game addition to the fractious decon club diaspora. “Revenge” is a heavily clipped drum workout with occasional touches of cyberized grime, and a heavy emphasis on space and directionality via pan play. “Eye” doubles down on distortion, marrying feral tribal hand drumming to synthetic infra-beast growls that underpin the cascading momentum of the track. “An Illusion” is just that – edge play at its finest, it deviously subverts listener expectation as it skirts ever-closer to self-fruition, yet never indulges (even as it imperceptibly escalates into languorous neo-EBM). “Emerald” jocularly maps in the conceptual and sonic haunts that the first three have left unexplored. IM golden boy Urquieta provides a restrained edit of “Revenge” that tames the midrange heat and ups the sub weight while adding filmic pathos and polishing dancefloor functionality to a mirror sheen. released September 29, 2017 Artwork by MUN SING Mastered by Cyrcular Mastering
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 17:37 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Ani Klang - Continu (4:58) 02. Ani Klang - Swirly Demons Gave Me Sleep Paralysis (4:52) 03. Ani Klang - There Are No Words (7:47) 24Bit Debut EP by the New York now Berlin based producer, Annie Kissiah aka Ani Klang. The "Worst of All Time EP" was produced after her friend passed away. Every song on the EP describes a different stage of recovery from her best friend's suicide in June 2016. released September 8, 2017
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 25:56 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Night Dives - Crib Point (4:51) 02. Night Dives - Far Away Station (4:15) 03. Night Dives - Maybe Another Time (5:16) 04. Night Dives - Elysia (5:26) 05. Night Dives - Cathedral (6:07) 24Bit Singapore-Melbourne transplant Marcus Chong is a renaissance man for and of the modern age: engineer, 3D artist and musician, his former two professions audibly bleed through into his latter one, making his musical output a daunting, yet rewarding listen. Having previously made his mark with standout CGI work for the likes of Amon Tobin and Jimmy Edgar, and after having been first teased to a larger audience in Liar’s standout 2016 mix for DIS Magazine, “How To Fuse Trends & Alienate People”, Marcus dons the Night Dives moniker for his self-titled debut on Infinite Machine. EP opener “Crib Point” is a deeply cinematic, strongly early-90’s piece, ROMpler-tastic and riddled with darkly flamboyant arpeggiation and eerily vibrant counterpoint. While the obvious comparisons to Carpenter or Al Qadiri might apply, one is reminded more of the languorous, frostbitten romance of darkwave/EBM darlings such as Clan of Xymox or Blutengel. “Far Away Station” continues the aural narrative established by “Crib Point”, while starting to lean into half-time nocturnal electro – a promise on which “Maybe Another Time” delivers, with its Hague-inflected cryo-funk. Which brings us to “Elysia” – quite possibly the crown jewel of this EP, and definitely the demo that got Night Dives signed. Bone-chillingly beautiful and gothic synth theatrics (once again reminiscent of the halcyon days of darkwave) start us off, then give way to a spacious arrangement of trap-indebted slow-mo club beats, face-melting crescendo sonics, and the incredibly moving, palpable despondency of a regret-laden vocal sample declaring “I looked as hard as I could…”. Closer “Cathedral” quadruples down on the heretofore-established drama, resulting in a yet another half-time piece which, daresay, approaches the platonic ideal of heartbreak. As the reverb-drenched sax solo comes in, and wistful whispers suffuse the stereo spectrum, one can only let go and join us… join us as we go dive into the night. released October 27, 2017 Artwork by Marcus Chong Mastered by Cyrcular Mastering
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 18:50 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Pixelord - Hexflo (4:26) 02. Pixelord - Sleeping Giant (5:15) 03. Pixelord feat. Born In Flamez - Blockchain (4:06) 04. Pixelord - Player One Ready (5:03) Pixelord returns to Infinite Machine following up his 2 EP's "Moosebumps split w/ Zack Christ" (2013) and Polygon Fane EP (2014) respectively. The title track is a collaboration with Berlin producer Born In Flamez. released December 1, 2017 Mastered by Cyrcular Mastering Artwork by Marcus Chong
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 23:41 Наличие сканов в содержимом раздачи: cover Tracklist: 01. MRTRY - Summon (4:10) 02. MRTRY - Insomniac (3:55) 03. MRTRY - Nausea (3:14) 04. MRTRY - Arcane Trails (4:45) 05. MRTRY - Nausea (Daniel Ruane remix) (3:40) 06. MRTRY - Insomniac (Bungalovv remix) (3:58) 24Bit Debut EP from the Enigmatic producer MRTRY. released December 15, 2017 Artwork by MRTRY Mastered by Cyrcular Mastering
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 44:40 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Warsnare - Intro (2:47) 02. Warsnare - Syndrome (feat. Charlie Stark) (5:11) 03. Warsnare - Life Life (feat. Vienna Shilling) (5:38) 04. Warsnare - Kairos (feat. Kate Tempest) (4:18) 05. Warsnare - Beautiful Day (feat. Vienna Shilling) (4:35) 06. Warsnare - Cronos (5:28) 07. Warsnare - Quanto Tempo (feat. Laura Lopes) (5:54) 08. Warsnare - Tuner (5:22) 09. Warsnare - Without You (feat. Charlie Stark) (5:26) 24Bit At the time of writing this, Daniel Potter, pka Warsnare, is racing across his native London, in a veritable juggling act of creative effervescence – putting the finishing touches to his full-length debut, "Warchestra"; rehearsing tomorrow's eponymous 360° preview show at The Albany Theatre (with himself on synths/piano and a full string ensemble); overseeing the post-production on the first music video in support of the album; graciously making time to coordinate with us on the release of this modern opus via Infinite Machine. As we skype, he seems (other than, obviously, very busy) equally apprehensive and enthused, equally exhausted and energized... but most importantly, unequivocally accomplished. True to his oeuvre's title's portmanteau, his path has been both uphill battle and graceful symphony – but he has deftly conducted both to their victory and resolution, respectively. In late 2015, devastated and blindsided by the sudden, tragic loss of his mother, Daniel embarked on a grieving process more practical and inspired (and inspirational) than most of us can muster on our best day. Crossing the pond and immersing himself in the cultural hearth of Brazil, he would go on to assimilate the choro, the samba, the bossa nova and even touches of proibidão into his compositional vocabulary. Studying and collaborating with countless local talent, and then employing this collaborative elan back home as well, he meticulously accrued a truly holistic collection of works – furiously turbulent one moment, eminently soothing the next; blending the timeless humanity of virtuosic acoustic piano, strings and vocals, and the machinistic futurism inherent to jungle, breaks, grime and other incarnations of the UK hardcore continuum; engaging in both literal and figurative cultural exchange; and, lastly, but no less importantly, flirting with a generous injection of pop pizzaz. Few artists before Warsnare have attempted such ambitious cross-over endeavours, and even fewer have succeeded. We hold these few in well-earned reverence – Goldie, Roni Size, The Prodigy, Paul Woolford, etc. If "Warchestra" is anything to go by, he is well on his way to joining the pantheon. The aptly-titled "Intro" starts us off with a titanic wall of sound, pitting simple waveform synth incursions against the might of a lilting string contingent - setting the stage for the titular war to come. "Syndrome" marries Charlie Stark's raspy baritone with a brooding, Zimmer-esque, never-resolving, ever-escalating ostinato string piece, and 130bpm junglism. "Live Life" keeps the jungle but pivots into more soulful melodic territory, punctuated by a luscious mantra performed by Vienna Shilling. "Kairos" recruits Mercury Prize nominated and Ted Hughes Award winning poet, playwright and rapper Kate Tempest for an arpeggio- and wordplay-heavy piece of orchestral grime. "Beautiful Day" then erupts as an ebullient piece of uptempo, bass-heavy, amen-laden, nigh-anthemic diva jungle... the diva in question being Vienna Shilling on her second album appearance. "Chronos" reiterates the mission statement of "Intro", this time via xenoid vocal manipulations and dramatic, narratively-charged piano runs. "Quanto Tempo" enrolls Belo Horizonte songstress Laura Lopes (no, not the Duchess of Cornwall's progeny) for an intoxicating cut of bossa nova house. "Tuner" maintains the contrast thesis of the album via its juxtaposition of junglist ferocity and music box tenderness. Lastly, "Without You" re-enlists Charlie Parker for a profoundly touching, elegiac interplay of dulcet tones, string slurs, piano heartbreak and broken beat interjections – both fitting closer to the album and full-circle moment in its context. released February 23, 2018 Mastered by Cyrcular Mastering. Artwork by Greg Haynes
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 20:50 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Daniel Ruane - Abyzou (5:39) 02. Daniel Ruane - Surface (2:56) 03. Daniel Ruane - hhllww (3:24) 04. Daniel Ruane - Agiel (4:24) 05. Daniel Ruane - Lapse Reflection (4:27) 24Bit In 2018, Daniel Ruane has many peers in his penchant for disruptive art – for the past couple of years, everything from external socio-political turmoil to internal industry decrepitude has incensed the most recent incarnations of punks to storm the clubs and subject punters to rawer, colder, faster, harder, more percussive, more nuanced, more expressive, more eclectic and/or insanely more rhythmically complex electronic music. However, in the mastery of his craft, his attention to detail, and his flair for deviceful musicality, Daniel is very nearly peerless. RA seem to agree in the review of his 2017 collaborative EP "DualExercise_I". Indeed, it is very hard to compare Mr. Ruane to most other purveyors of what some have loathsomely baptized as "deconstructed club". However righteous their impetus, however liberating their form, the end result always tends to be a bit on the amateurish side, both from a production and composition standpoint. One can only reject norms so far until all you're left with is an impotent, petulant din. This isn't even remotely Danny's case, however – his production crisp and defined, his arrangements virtuous and infuriatingly clever at times... he rids the listener of every possible obstacle in keeping up with what is already extremely demanding, difficult music. In this (and in many aural nods across this, "Twitch", his Infinite Machine debut EP) he is reminiscent of the breakcore intelligentsia of the early 2000's: Venetian Snares, Xanopticon, Richard Devine, Keith Fullerton Whitman, etc. - countercultural artists who nonetheless rejected the cretinous abandon of their colleagues and endeavored to make extreme electronic music that brimmed with consideration and intentionality, in spite of its micro-edit density and textural abrasiveness. "Abyzou" opens with a bass-driven, emotional crescendo that primes the listener for the oncoming sonic battery (pun intended). Following a brief cyberized start-stop intermission, he lets loose the drums. "Surface" is a fuzzy flight through a cloudscape of distorted textures and ethereal harmony, which ends with Daniel almost letting loose the drums. "hhllww", conversely, doesn't fuck about, and only momentarily contextualizes itself before, you guessed it, letting loose the drums! "Agiel" takes a detour into more of a real-world soundscape, its dotted pulse suggestive of quad-time dancehall and metallic, grid-quantized musique concrete. Finally, "Lapse Reflection", of course, LETS LOOSE THE FUCKING DRUMS (sounding like a black metal blast beat that has defected from acoustic possibility). released March 30, 2018 Artwork by Tomás Urquieta Mastered by Cyrcular Mastering Words by Liar.
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 36:13 Наличие сканов в содержимом раздачи: cover Tracklist: 01. 111x - Empty (4:33) 02. 111x - Blue Rose (4:54) 03. 111x - Volatile (4:52) 04. 111x - Would There Be a Next Time I Promise to Be Someone Else (2:29) 05. 111x - Pride & Denial (1:57) 06. 111x - Insects Drowning in a Pool (2:41) 07. 111x - Solitude (3:23) 08. 111x - Rage: Swollen Face (feat. Ptwiggs) (5:27) 09. 111x - I Stand Still, You're Sinking (5:57) 24Bit Following his well received 2017 collaborative EP "Final Star" Infinite Machine label boss aka WOLF. Helsinki's 111X shares his most personal and crushing work as of date. released April 27, 2018
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 42:31 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Tomás Urquieta - Esqueletos (2:37) 02. Tomás Urquieta - Despues de Todo (3:08) 03. Tomás Urquieta - La Sustancia de la Materia (4:16) 04. Tomás Urquieta - Caballo Viejo (2:52) 05. Tomás Urquieta - Dueños de Nada (5:45) 06. Tomás Urquieta - Arto (3:17) 07. Tomás Urquieta - Me Rehuso a Pensar (5:27) 08. Tomás Urquieta - Nahual (1:57) 09. Tomás Urquieta - Avoid the Trouble (6:34) 10. Tomás Urquieta - Cada Segundo (1:14) 11. Tomás Urquieta - The Curtain Fall (5:25) "Dueños de Nada" announces itself as a strong and tough proposal. It comes with the intention to get away from what we are used to hearing from the Chilean producer. As a first album, and by incorporating broad influences into a range of genres, industrial sounds and punk, the debut by Tomás Urquieta feels huge and accurate. The "Dueños de Nada" sample, which belongs to Martin Sorrondeguy, is used by Urquieta to assemble a classic techno piece mixed with a new sound proposal, and by uniting these elements, a catharsis and collective osmosis movement is generated on the dance floor that does not need further explanation. The proficiency that Tomás has developed when creating percussion doesn't go unnoticed either. It is the sensation of a new breath in his music, a replacement, a much more mature sound is demonstrated by the high instrumentation mixed in with a full on Techno base. The rhythms are wild, futuristic and with a completely personal vision. There are tracks that lock you up and there's others that leave the need for a club ajar. It is a heavy album, political, metallic but very organized. There are voices in Spanish of direct protest towards the system, voices where he invites us to be part of a march to despair, a liberation march for the dance floor . If we could summarize "Dueños de Nada" we would say it's a cry for freedom, a cry which asks us to enjoy the feeling of complete freedom across 11 tracks that embrace this anarchy in which Tomás Urquieta invites us to join. released September 28, 2018
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 22:45 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Born In Flamez - Fear Anger Love (3:31) 02. Born In Flamez - Talking to the White Noise (3:12) 03. Born In Flamez ft. Grasps - Binary Beast (3:53) 04. Born In Flamez - Imperfect Core (2:07) 05. Born In Flamez - Body 2 Mind (2:59) 06. Born In Flamez - Symphony of Tinder Hacks (3:22) 07. Born In Flamez ft. Avbvrn - Riding the Ravine (3:42) Berlin based artist Born in Flamez returns to Infinite Machine with 'Impossible Love', a 7 track EP which questions the restrictions and tactics of queer love in the current political climate. The notions of heteronormative monogamous ideals and so called queer "free love" are probed as binary poles in a world of tinder and an increasing trend of non-commitment. The constant pressure of hypercapitalism crescendos in an impotence of actual contact, but capitalism is also built on the ideal of "family values“ - if you love you forget about the world (and your call to change it). Basing their lyrics on commonplaces of rom-coms and heteronormative ideals of the "one true love“, reading phrases like "I will never let you go“ closer, the phrase reveals a threatening subcontext. In this dilemma it becomes clear how any such dualism raises a myriad of questions and by this opens up a space for something outside its poles in which we navigate our violent love for each other released June 8, 2018 Mastered by Cyrcular Mastering Artwork by Don Elektro
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 31:37 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Galtier - Last Remnants (4:38) 02. Galtier - Keepsake (Work) (4:36) 03. Galtier - Koll (6:08) 04. Galtier - Barren Sphere (5:20) 05. Galtier - Emerald Salts (6:43) 06. Galtier - Journeyman (4:11) 24Bit It is with great excitement to announce the return of the Nostro Hood System label boss, Galtier (Bristol, UK) to Infinite Machine. Following-up his well received 2016 "Myth Codes" EP. Galtier's Commentary about the EP: The concept for the ‘Terran’ EP is centered around a lone human drifting through space, planet to planet. Who this person might be is irrelevant – it can be anyone, any gender, any race. What is important is that this person is undergoing a treacherous journey deep into the unknown. They are alone on this journey and it is no easy task, but their resilience and determination to carry on is what drives them forward. The premise within this is based around the idea of each individuals own suffering, each person who walks this earth faces their own obstacles, which ultimately at its core is beyond their control. Much like the Terran drifting through space, the unknown of space parallels the unknown future of life, and the endless possibilities that perpetually arise throughout it. The EP is presented as a sense of hope – encouragement to all that even though they often drift through their spiritual life alone, they are not alone on this journey. Each Terran faces the blackness of space in their own way, and they too can choose how they perceive this arduous, yet immensely worthwhile experience. What might seem like a crushing, over encumbering existence, at times, only adds to the worth of life. Life is a challenge – and it should be – as overcoming the challenge and powering on, despite the odds, makes each day and each moment (a keepsake if you will) innumerably more valuable. There is no real sense of completion within this journey too, as ‘home’ is something that the Terran will not experience again. ‘Home’, or ‘Earth’ in many ways is birth through this allegory, and every moment from this point becomes the struggle of existence. One can never step backwards to another moment in time that has already passed, as the world will not allow you to return to your previous spiritual self. The only true and just way is forward, further into the abyss of the universe. released July 27, 2018 Artwork by Nic Symbios Mastered by Cyrcular Mastering
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 54:41 Наличие сканов в содержимом раздачи: cover Tracklist: 01. W3C - Cabin Fever (7:04) 02. W3C - Event Horizon (6:45) 03. W3C - Finally Awakened (7:45) 04. W3C - Intoxicated (6:27) 05. W3C - Lucid Dream (6:08) 06. W3C - Paradise Lost (7:10) 07. W3C - Primordial (7:09) 08. W3C - The Year of the Blood Moon (6:15) 24Bit W3C returns to Infinite Machine following-up his highly acclaimed "State Of Absolute Alienation" EP released in 2017. "Event Horizon" symbolically portrays a trip into a very distant and completely alien region of space in which many of our preconceptions are turned on their head. Especially those of what the UK sound is and what you can potentially do with it. Thoroughly emphasized is the interaction and symbiosis of the old and the new, the known and the unknown. As the symbolic space vessel enters the deep unknown of our universe, the well known characteristics and traits of the UK sound get mangled and mutated into something wholly different. When listening and passing through the "Event Horizon" you enter into a realm of epic, unimagined vistas of sound, of deep, all-consuming waves of bass and of a deeply strange and primordial quality. released March 1, 2019 Artwork by: Alessandro de Angelis Mastered by Cyrcular Mastering
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 49:24 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Keru Not Ever - Tereza (5:52) 02. Keru Not Ever - Molloy (feat. Bianca Scout) (8:30) 03. Keru Not Ever - Zabriskie (3:34) 04. Keru Not Ever - Équilibre de la terreur (5:05) 05. Keru Not Ever - Xen (8:20) 06. Keru Not Ever - Limite I (11:54) 07. Keru Not Ever - Limite II (6:08) The Wind Of ? is the sophomore album by multi-disciplinary Montreal artist Keru Not Ever. Simultaneously pursuing and shattering ties with 2017-Tereza’s line of timbral explorations, TWO? activates a new topology: that of the parasite. Indeed, the general movement of the album tends toward a tense subtraction of the sensual to set in motion the pursuit of a conceptual ideal corrupted by the presence of an hyperventilating breath, a structural gash and a ventriloque-like narrativity based on the libidinal repetition of contemporary DAWs. Composed in three distinct and interchangeable (in)acts (I. Tereza + Molloy ; II. Zabriskie + Équilibre de la terreur + Xen ; III. Limite I + II), moving from one block to another into the project - and even within the pieces themselves - the album occurs as an exchange of glances and cracked voices, a mirror game between different and precarious vessels leading to a schizophrenic sensorium similar to the banal and dislocated experience of the new digital ennui. These parasitic breaks are presented as being necessary for the creation and the preservation of an event from which its truth could emanate : spring seems obvious now. In The Wind Of ? It is midnight as much as another hour, the question does not arise there, it rather arises by the who does what and by the why is it impossible to prevent a parasite from entering or exiting an (in)act. In the future, everything will be an album. released April 26, 2019 Mastered by Cyrcular Mastering Artwork by William Sabourin
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 22:55 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Yilan - Regression (5:58) 02. Yilan - Ark (feat. Ren) (6:53) 03. Yilan - Regression (Amazondotcom Remix) (4:18) 04. Yilan - Regression (Superfície Remix) (5:46) 24Bit Infinite Machine welcomes Leeds producers Yilan. Following up his 'Diaspora EP' released earlier this year. Yilan returns with 2 club ready tracks "Regression" and “Ark” (a collaborative track with producer Ren). Supported by 2 remixes from Los Angeles producer Amazondotcom who recently released her highly acclaimed 'Mirror River' EP on her label Subreal and from the Brazilian producer Superfície, who's well known for his affiliation with the label Salviatek. released September 13, 2019 Mastered by Cyrcular Mastering Artwork by Tomás Urquieta
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 21:48 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Lachrin - I XVIII X I III (3:19) 02. Lachrin - II XVIII XII IV III (3:51) 03. Lachrin - III XVIII XII II III (3:12) 04. Lachrin - IV XVIII XII I I (3:40) 05. Lachrin - V XVII IV VII II (4:00) 06. Lachrin - VI XIX I II I (3:46) Infinite Machine is proud to welcome Lachrin to the label with his new 'Críoch' EP which takes elements of electronic, orchestral and choral music to create lamenting melodies adorned with gentle grace and decaying drones Last year saw Lachrin start his journey releasing the Salim EP on NYX Unchained followed by shows across the UK. His Imní EP was then released via JEROME in March this year. released October 25, 2019 Mastered by Cyrcular Mastering Artwork by Lachrin
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 11:02 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Thoom - Left Hand Crane (2:33) 02. Thoom - Left Hand Crane (Via App Remix) (3:50) 03. Thoom - Left Hand Crane (E-Saggila Remix) (4:39) Infinite Machine is proud to present the first release for 2020 which is by the Chicago,IL raised, now Berlin based producer, Thoom. Thoom returns with the single 'Left Hand Crane' supported by 2 remixes by E-Saggila (Toronto) and Via App (NYC) 'Left Hand Crane' follows up the 2017 EP 'Blood and Sand' released on Club Chai and the 2019 single 'Wound as Pocket' Produced by Scim, Obe and Thoom released January 31, 2020
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 20:37 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Swan Meat - SUCKLING (5:13) 02. Swan Meat - LITERALLY SEETHING (3:43) 03. Swan Meat - EUGENIA MARIONETTE (3:34) 04. Swan Meat - MECHANICAL BULLGIRL (4:47) 05. Swan Meat - DENTIST'S TOYS COME ALIVE AT NIGHT (3:21) 24Bit FLESHWORLD, the third solo EP from prolific Washington D.C., now Cologne-based composer-producer SWAN MEAT, is the culmination of years’ worth of work at perfecting a sound that draws from a wellspring of disparate sources & genres, shaping that fleshy amalgam into a monster both terrifying and lush. Her dedication to and love of maximalism is full-throttle, here, and each track on the five-track collection contains -- as is the artist’s signature -- an explosion of ideas, which move seamlessly in & out of each other, oscillating. Breakbeats, harpsichord arpeggios, and distorted, 8-bit kickdrums move in disjunctive harmony with string arrangements even more soaring than those on her 2nd solo release, TAME; tracks like “MECHANICAL BULLGIRL” pay weird tribute to old Western soundtracks while sounding as though they could just as well be played through the loudspeakers on a demented, abandoned theme park. “SUCKLING,” pairs a funk bass with a string arrangement that pays tongue-firmly-in-cheek homage to Hans Zimmer & cohort; “DENTISTS TOYS...” & “LITERALLY SEETHING” are shameless tributes to anime & old Sega OSTs; “EUGENIA MARIONETTE,” named after the troubled emo Youtube star, is, perhaps, the centerpiece of it all: a punk whorl of Y2K-core drum & bass riffs, heartbreaking vocaloid samples, and the words, whispered softly before a drop: something needs to change. Change is, indeed, in the air: rejecting what she sees as a club scene scarred by its allegiance to technocapitalism, the fashion industry, and an elitist obsession with the fine arts, SWAN MEAT produces music that seeks to be good, great -- most importantly fun -- on its own terms, and revels in the joy(s) of fastidious micro editing, sound design, and being up ‘til 4 am on energy drinks, dying and being actually more alive than ever at the same time. released February 21, 2020 Artwork by Francesca Landi Mastered by Kamil Sarcowicz
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 40:09 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Bungalovv - Bandera Robada (4:17) 02. Bungalovv - A Quema Ropa (4:11) 03. Bungalovv - Baldíos (3:48) 04. Bungalovv - Desatanudos (3:08) 05. Bungalovv - Urutau (5:03) 06. Bungalovv - Acid Arrows (4:07) 07. Bungalovv - Soil Taste (4:52) 08. Bungalovv - Entre Chatarra (4:44) 09. Bungalovv - Fixing a Crossbow (2:58) 10. Bungalovv - You Don't Need a Soul to Be Human (3:02) 24Bit Buenos Aires-born producer Pablo Betas — known as Bungalovv — celebrates his return to the Infinite Machine family with the release of the enchanting debut album, Donde Hubo Fuego. Proceeding his 2017 EP ‘Luz Mala‘, which was coined by THE FADER as 'an unlikely entente between the sinister and the seductive', his reappearance to the imprint is analogous to this. Currently residing in Berlin, Bungalovv is also a founding member of TRRUENO, a collective and label that was born in Buenos Aires, united by new technologies as a resource and means to expand the spectrum of aesthetic possibilities in electronic, experimental, performance and audiovisual scenes. Pulling inspiration from a diverse appetite comprised of dembow, jungle, dancehall, obscure club experiments and animalistic synthesis, Bungalovv also utilises foley recordings exceptionally across the ten tracks. Flickers of the album opener ‘Bandera Robada’, are a cautionary suggestion of what lies ahead. And with antagonistic titles like ‘Soil Taste’ shaped from stabbing timbres and unpredictable time signatures like an Omni-angular sonic attack, you get pulled into a sinful parallel universe as the LP progresses. Cries of distortion, time-stretched cinematic doom, and unquantised ASMR excerpts are glued together like a tapestry, laying among devastating blows that meteor into a landing pad of extraordinary composition. Complimentary of his mind-bending DIY live performance, the album is beautifully balanced, humanised, mechanical and elegant. Releasing in late April, this is by far Bungalovv's most refined and developed work to date. released April 24, 2020 Artwork by David Streleck Mixed by Ro Stambuk & Sergey Kolesov Mastered by Kamil Sarkowicz
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 20:34 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Gaul Plus - Church of the Motorway (4:29) 02. Gaul Plus - Lecherous Suitor RIP (4:49) 03. Bergsonist - Viruses Slowly Destroying the Planet (5:02) 04. Bergsonist - Shootings Everywhere (6:13) released May 29, 2020 Artwork by Nico Jacobsen Mastered by Allmostt
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 18:48 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Benfika - Exodexo (4:48) 02. Benfika - Pentimento (4:20) 03. Benfika - Mundo Schizo (2:34) 04. Benfika - Ríos de Azoth (1:46) 05. Benfika - Ollin (5:20) 24Bit Carlos Marta is the Tijuana-based producer behind Benfika, an enigmatic music project from Infinite Machine that released his debut on the imprint back in 2015 with the EP 121214, taking him to open for Four Tet, Ben Ufo and play at Mutek festival in Mexico. In his most recent comeback Ruinas, he presents a mystical and ethereal release where he unveils his most overwhelming and rousing side with 5 absorbing and captivating tracks. Ruinas is an eerie exploration on organic, celestial and crystalline sounds. A set of compositions effused in a synthetic and futuristic orchestral experience that incites cathartic sensations. The warm and meticulously put-together melodies of the 5 pieces that compose this EP generates a utopian sonic environment with otherworldly and mystical backgrounds. Influenced by the powerful narrative components in Benfika’s production, Ruinas summons the memories and resilience of another dimension, where mythical surroundings emerge with arcane possibilities. Cyclic imaginaries of ancestral yet futuristic references collide in a dialogue between mixed dualities; pain and healing, desolation and disclosure, uncertainty and hope, evoking the feeling of an ongoing transformation. The carefully processing on the melodies, samples and tonalities that Benfika meticulously assembled in Ruinas don’t follow an accurate musical structure but were rather conceived as a living sonic-ecosystems, dissolving in complex layers of aerial ambiences. In Exodexo the delicate harmonies of otherworldly frequencies resonate like an alien whisper while the gathering of synthetic voices in Pentimento creates a sacred invitation for a futuristic ritual. The deep and trance-indulging sonorities of Mundo Schizo crash with a percussive field of disruption, and the uncanny atmospheres of Ríos de Azoth dissolves for the unearthly vibes of Ollín, where overwhelming choruses and dislocated pianos mutate in immaculate melodies. Ruinas It’s a promise of a new beginning, where devotional possibilities can coexist with the inherent chaos of spirituality. It is music created from a wide perception of entropy and the prospect of becoming-with transmutation. A reprogramming of the organic existence for unphysical transcendence. Rituals that stream violently through infinite cracks in time generational chants stored in the abyss reveal intrinsic shadows coded into every seed. released June 26, 2020 Mastered by Kamil Sarcowicz Artwork by Benfika
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 15:10 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Galtier - Scuffed Souls (4:48) 02. Galtier - Precious Quartz (To Reave) (4:43) 03. Galtier - Dancing On Ruins (5:39) Making his return to the Infinite Machine catalog is Nostro Hood System boss Galtier with his 3 track EP ‘Dancing On Ruins’; a relentless slug of driving percussion and discordant atmospheres. Taking quite a step from his 2018 ‘Terran’ EP released on IM, Galtier abandons the hopeful, up-lifting, sometimes euphoric mood that has characterized much of his sound for the last few years and flexes his ability to handle anxious, hard-hitting techno-influenced material – a healthy departure from the purposeful, existential theme evident in earlier works. ‘Dancing On Ruins’ is characterised by its dusty, weather-beaten sound palette, as if such music was created and played in a desolate, lifeless world to provide solitude for the stoic beings that reside there. It is fast and aggressive, utilising techno-esque sonics as its base, yet it avoids being scary or oppressive or too stereotypical in nature. ‘Scuffed Souls’ leads into the chaos with the pounding force of its 909 kick that thumps over the ever-evolving, fundamentally gothic sequence of melody. It is menacing and daunting to say the least, and gets straight to the point. Rhythmically it is reminiscent of classic rave-inclined techno but draws for quick transitions evident in contemporary club music. Crisp, pointed hi hats play gracefully amongst the angry soundscape and are quickly scared off by the growling Moog bassline that rumbles in to occupy the decrescendo. The rhythm is broken and far more syncopated on ‘Precious Quartz (To Reave), which likewise increases in BPM from 140 to 148. Being the most stripped back, percussively oriented track on the whole release, Galtier flexes his capacity to execute myriad shifts in rhythm and pace as the majority of the track chugs along, the vessel made up of a its short but monstrous kick, sharp hi hat slashes, restrained 909 rides and a mutated bell call – warning others of its approach. Finally the namesake of the EP, ‘Dancing On Ruins’, takes place, leaving the zenith of the release’s unnerving energy for last. Galtier combines elements of UK Techno rhythm with loose UK Funky instrumentation and meshes the two and speeds things up significantly. Though the rhythm returns to a more pulsing, simply structured state, the hollow lead is pulverizing and raw throughout the whole track. This, accompanied by the blistering 150 BPM tempo, makes it a vicious, restless beast. released July 31, 2020 Artwork by Benfika Mastered by Kamil Sarcowicz
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 21:58 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Cura Machines - Impossible (9:06) 02. Cura Machines - Immutable (7:19) 03. Cura Machines - Xenial (5:33) Infinite Machine presents Xenial by Cura Machines, the synthetic and immersive alias of composer Daniel Lea with three shattering pieces that explore multidimensional resonances and uncanny atmospheres in the most stirring way. Between the histrionic and the unearthly, Xenial is a ghostly collection of overwhelming aural environments embodied in three soundtrack-like compositions. The futuristic motives of these eerie like soundscapes emerge as a sci-fi narrative that resonate in forsaken surroundings with mythical ambiances. The EP mixed by Ben Frost embraces vast layers of clanging noises and cybernetic percussions dissolving in sharp synthesizers and soaring harmonies. Disseminated traces of human voices that integrates into a sea of desolated soundscapes composes a recondite and nearly symphonic work that highlights for its incisive and intricate production. Xenial faces the unknown with poignant sensations. It is an encounter with mystical environments and unbounded solitude of bleary possibilities. released August 28, 2020 Composed and Produced By Daniel Lea Mixed by Ben Frost Mastered by Christian Wright at Abbey Road Studios Daniel Lea: Synthesizers, Sound Design, Voice and Programming Roberta Jean: Voice on “Xenial” Beth Kellough: Strings and Sound Design on “Xenial" Rupert Clervaux: Drums on “Immutable” Michael Deragon: Processed Guitars on “Immutable” Yair Elazar Glotman: Textures on “Impossible”
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 26:07 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Mencius Leonard - Narcissus Sings the Blues (6:09) 02. Mencius Leonard - Kwaidan Modern (5:44) 03. Mencius Leonard - Play Barbaric (3:16) 04. Mencius Leonard - Heel! (5:28) 05. Mencius Leonard - 10 Dead? (5:30) For his debut on Infinite Machine, Mencius Leonard presents Blinded Boy Goes Deathways: a suggestive EP that delves into the most visceral side of the New-York based producer with a compendium of intense compositions that fluctuate between scatterbrained electronic experiments and post-apocalyptic pop music. A provocative release full of eclectic and hellish sonic explorations that discloses the uncanny side of the common. Pushing forward the boundaries of his previous work, Mencius Leonard takes one step aside on his ethereal and relaxing productions to reveal a more forceful and harsh aspect of his music; this release represents its mutating experience of being in a constant dialogue with inner sensibilities, a collapse of crushing sensations willing to be assumed in impending ways. Powerful industrial sounds collide with distorted atmospheres and heavily processed vocals, the altered and intense explorations that Mencius Leonard carefully composed for Blinded Boy Goes Deathways can be associated to chaotic scenarios and ghoulish sensations. A frantic spectrum of clanging surroundings dives into complex layers of styles and references that oscillates in confrontational ways across the EP, binding together a vast number of musical influences that can be traced from japanese speedcore to punk blues. Between the disturbing mechanical compositions and the beat-driven robotic ballads, Blinded Boy Goes Deathways explore extreme reactions to provocative transmutations. It’s an unapologetically sound piece that does not hesitate to saturate with overwhelming ambiences. An adventurous soundtrack for the end of the world. released September 25, 2020 Mastered by Kamil Sarcowicz Artwork by Mencius Leonard
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 16:50 Наличие сканов в содержимом раздачи: cover Tracklist: 01. DÆMON & EndgamE - Let Me Breathe (3:49) 02. DÆMON & EndgamE - Queue (2:36) 03. DÆMON & EndgamE - Eye Teeth (3:28) 04. DÆMON & EndgamE - Caged (4:01) 05. DÆMON & EndgamE - 530I (2:57) Following up his debut on Chino Amobi’s Intelligent Models with ÆOS, critical lyricist DÆMON teams up with Hyperdub’s affiliate and dark alchemist Endgame for a forceful collaborative EP that summons haunting ambiences with powerful passages and persuading rhythms. Oscillating between the xenomorphic vocal capacities from DÆMON and the haunting club explorations of Endgame, DXE is a collection of industrial compositions that conceive an esoteric setting where two colliding forces unite for an intriguing and provocative exordium. A correspondence that inherits the divergent influences of the counter cultural soundscapes of Oakland and London - the artists hometowns - in a prodigious way. The dark approach on the dancehall-inspired vocal performance from DÆMON is a highlight that contrasts with the experimental impressions of Endgame’s production, switching widely from punk to dembow motives within a contemporary take on overwhelming electronic explorations as a divergent complement that enrich the duo's exhilarating approach. Introspective scopes define each track from the record. Let me breath is a crushing encounter for the prosaic verses of DÆMON, as his spoken word opens up a sonic void with overdrive motives. While the indulging energy of Queue shows off a more danceable side of DÆMON with a demonical dancehall inspired beat, in Eye Teeth, his bars match perfectly with the cybernetic warfare melodies from Endgame. Hearing him sing about being wounded within the act of liberation in Caged consolidates an acute poetry that fits thoroughly within a grinding techno beat, a devastating apocalyptic ballad culminates the record where an ethereal vocal from Deka repeats subtly on 530I. It might be the presaging lines from DÆMON embracing the powerful and ominous production from Endgame that makes DXE a dark and a futuristic experience, envisioning a forward-thinking piece of puncturing yet suggestive experimental dance record. released October 30, 2020 Mastered by Fausto Mercier Artwork by Francesca Landi
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 3:12 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Lil Asaf & MFKZT - Thabat (3:12) 24Bit Lil Asaf returns with his new single 'Thabat' produced by MFKZT. Following up his 'Sawa Sawa' EP released on Astral Plane Recordings and the 'Lal Bazam' released on ANBA respectively. released October 15, 2020 Artwork by Lola Macharashvili Mastered by MFKZT
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 10:24 Наличие сканов в содержимом раздачи: cover Tracklist: 01. ill Life - Ever Decreasing Circles (6:24) 02. ill Life - Go (Liar Resex) (4:00) Infinite Machine presents the first single of a series of singles releases: IMSL1 - ill Life - Ever Decreasing Circles (with Liar remix of ill Life's track "GO") This is the first track of a 4 track EP coming out on vinyl sometime in 2013. Including remixes by Liаr, Metrist/, Borealis / Jesse Somfay Cambridge resident Samuel Emerson Iliffe, aka ill Life, is driven by a penchant for warping things. Akin to warping his sonorous surname into the "ill Life" moniker, he warps formely innocuous techno fare into a clangorous, concussive march of living, breathing percussion. Samuel's sonics seemingly owe a considerable amount to recent innovations from the likes of Blawan or Perc Trax alumni, however his only fault is taking part in the phenomenon of "synchronous innovation". Before Karenn coalesced, before Clouds' newest offerings started being rinsed, ill Life had long since moulded his sound. It is Infinite Machine's infinite regret to have discovered him so belatedly. But there's no use crying over spilled trax. ill Life's early 2013 wax debut will see him joined by the likes of Metrist, Borealis and Liar in setting the record straight. Until then, we are setting the stage via two excerpts of the most bombastic variety. "Ever Decreasing Circles" blasts off right away, employing burrowing sounds, and disgruntled mechanical noise that is ostensibly trying to shrug off the tyranny of the relentless 4/4 pulse, but never quite manages. There is conflict at the core of this track, and by the time the subtle tension of metallic dub stabs sets in, and immersive quality of the pitched-down, k-hole vox ruminations takes hold, the listener is smack dab in the middle of it. Staying true to its name, the track constricts further and further, until the ceaseless burrowing nearly instills a body high. One for lovemaking. Musical polymath Liar yet again steps in to supply the shameless banger, crafting a cohseive whole from aquatic, Drexciyan electro, an almost comical take on acid, mindless cathartic drumming and very nearly illegal sound design. "I know you're different, cause I'm really normal", it insists, with no small amount of irony. A nod to all all things warehouse, this "resex" bridges the gap between 90's nostalgia and the forward-thinking histrionics of the yet-classified original mix. One for hatefucking. Artwork by: Borealis / Jesse Somfay Mastered by: Liаr released December 24, 2012
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 10:42 Наличие сканов в содержимом раздачи: cover Tracklist: 01. iO Sounds - Tough Luck (4:08) 02. iO Sounds - Tough Luck (Cloaka Remix) (6:34) In anticipation of his forthcoming IM wax release, which will consist of 4 originals and feature the likes of Blaksmif, Sibian & Faun, Herr Johann and Deft on the flipside, iO Sounds (formely iO) teases with this IM Singles nugget. 24yo Londoner Rob Burn has so far coaxed everything from oldschool (read: "true") dubstep, house, techno, garage, UK funky, a touch of leftfield sound design and everything inbetween into the adamantine alloy he's dubbed iO Sounds. The "Tough Luck" single amply delivers on all the above. The eponymous track is a tour-de-force of everything of superlative appeal in electronic music nowadays. Sounding like a redux of some of the best developments of 2012 and a recipe for what 2013's gonna be like, it rocks amazing soulful vocal cuts, silky bass, an exuberant use of classic and classy house chords, and a rattly, almost undetectably-4/4 beat that's as future as future gets. While the vox lament "dunno why this is is happenin' to me", the overarching mood is one of hope, and euphoria. A perfect winter-spring transition anthem. Readers of our release notes know that we at Infinite Machine understandably quite like to big up our tunes, but we can't big this one up enough. Rinse 'til it starts losing kbps. On the virtual flipside, Cloaka turns the anthemic tendencies up to 11, fashioning the original into a big-room rave behemoth, replete with banger elements and slightly ominous undertones, there to fuck with the comedown from your drug of choice. Keeping it UK, there's also trace elements of bassline (the genre), showcasing Cloaka's flair for bringing back rave relics into the next-gen. Rinse 'til it goes mono. released February 4, 2013
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 18:16 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Xavier León - Entrenched (4:34) 02. Xavier León - Croak (3:57) 03. Xavier León - Entrenched (Liar Remix) (4:33) 04. Xavier León - Entrenched (Framework Remix) (5:12) Montrealers Milo Reinhardt & Xavier León, between the two of them, and since their inception as Sibian & Faun, have expertly and effortleslly covered every possible facet, color, and incarnation of future bass music, garnering numerous accolades, earning their place on the impressive Numbers roster, hitting RBMA hard via Xavier's attendance, and generally being a living testament to contemporary genre obsolescence. And the kicker: as both have proven via their solo sideprojects (Framework and Xavier León, respectively), Sibian & Faun is NOT better than the sum of its parts, in the best of ways. With Milo having already showcased that with "It's Killing Me", his Infinite Machine debut EP, it is now Xavier's turn to strut his stuff. And with "I Thought You Knew", he is dressed to impress. Opener "Entrenched", thanks to its inner variety, is an almost narrative affair, kept going by an unrelenting percussive workout, and underscored by the late-night atmospheric and vocal wistfulness one might expect from their favorite future garage tune. "Croak", a mutant hybrid of post-juke, junglist proclivities and future R&B lushness, is almost an electronic 160+ BPM sinfonietta, going through three distinct movements in its 4 minutes: an dreamy overture of pizzicato strings, playful helium vox and unrelenting riddim, followed by a menacing, oblique, thumping, hammer-against-anvil segue, and ending in speedily assembled breaks, wobbles, and rave elements that, as a whole, nevertheless resemble neither jungle, IDM, footwork, or, in all honesty, anything anyone has ever heard before. Liar's take on "Entrenched" recalls the sound previously showcased on his "Undance" EP: a blend of melodic techno, dub and trance and he jokingly likes to call "esotech". In this case, the original's opening and closing vox are recontextualized upon a bed of clackety, wooden 4//4 beats, gauzy dub atmospherics, Euro-something undertones, a "downlifting" climax, and the emotional poignancy one can always expect from a Liar cut. Framework steps in for the grand finale, his remix of "Entrenched" being a sort of cinematic, bass-heavy death march, marked by a dizzying rhythmic urgency. The warped vox of the original now almost chant "it's hard...", evoking claustrophobic, heartwrenching imagery. The very end seemingly takes a page out of the "Synecdoche, New York" book, for those who know what that means. Apt closure to what is a complete sonic spectacle of an EP. Artwork: Seapoint/Sibian & Faun. Mastered by: Liаr released February 11, 2013
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 13:39 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Hound Scales - Suction Clip (7:04) 02. Hound Scales - Dorian Hope (6:36) an Franciscan-turned-New Yorker Nico Jacobsen, under the guise of Hound Scales, set to inagurally debut on his Fifth Wall label (co-founded with Divvorce), is quite the busy bee - slated to release his Suction Clip EP via Infinite Machine's Single Series around the same time. Nico aptly describes his own sound as "junta rave", "a harsh environment" and "a sometimes violent and unforgiving experience", and even upon the most cursory listen one can only agree. "Suction Clip" is a tense, hi-NRG incessant thressome of kick, shaker and woodblock - a warehouse instant classic, achieving its climax around the 3 minute mark via sound design that is truly alien, in both texture and melody, then setting the stage for anybody's personal comedown as the track seems to become both increasingly more restrained and increasingly more alert as it approaches its end. The drums never quit you though. Never quit them either. "Dorian Hope" is an abrasive, elegantly muddled affair, keeping the momentum of the title track and ramping up the claustrophobia, exploding into shambling, acidic bellows that seem to beckon an imminent machine uprising. That's techno for you, innit? released March 11, 2013
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 23:49 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Druid Cloak - Athene (4:27) 02. Druid Cloak - Blue Flame (3:28) 03. Druid Cloak - Night Touch (4:42) 04. Druid Cloak - Athene (Seapoint Remix) (3:17) 05. Druid Cloak - Blue Flame (Slick Shoota Remix) (3:37) 06. Druid Cloak - Blue Flame (Shackles Remix) (4:19) The elusive Druid Cloak returns with his sophomore EP, Athene's Hollow, for Infinite Machine. The EP consists of 3 original tracks and 3 club ready remixes from Seapoint, Slick Shoota & Shackles. Athene opens the effort with a dreamy reverberated percussion line, placing you into the world Druid Cloak wishes to create. A world populated with strong low end vibes and otherworldly combinations of vocal, synth and drum. Borrowing from golden era hip-hop, drum and bass, and classic vocal jazz, among many others, Druid Cloak assembles something freshly textured, emotional and undefineable. Blue Flame. Part club worthy, part dreamy R&B ballad. The composition tethers reverb-laden vocals to strong sub bass, aquatic percussion, and raw arpeggiator lines to one another to build into an epic finish. Night Touch shifts gears into a lighthearted, soulful and funky love song. Modded vocal cuts and spacey synths shift the track into a deeper sultry and robust territory where Druid Cloak places the listener to await his next effort. Druid Cloak maintains his mysterious demeanor and drifts us between dark and light in this surreal, lush and seemingly unattainable world with the all too familiar concept of love. The remix treatments all bring Athene's Hollow closer to the club. Seapoint's take on Athene combines hard hitting percussion with broken chops of the original version, dusted with funky leads to build a spacious, familiar and refreshing recreation. Blue Flame is blessed by both Slick Shoota and Shackles. Shackles presents the listener with a phantasmic trap inspired delight perfect for big rooms. Deep 808's work the track into an energetic tool for any party. Slick Shoota, the Juggernaut of Juke, brings a hyperspeed juke touch to the original that will kill the peak time set while still staying true to the original. Artwork by: Myhead Mastered by: Liar released March 18, 2013
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 10:57 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Liar - Giovanni (3:51) 02. Liar - Ravnos (4:06) 03. Liar - Nosferatu (3:00) 24Bit In anticipation of the many sounds he'll be showcasing in his forthcoming flurry of spring and summer releases, and in commemoration of the nearly-synchronous milestones of both 3000 SC followers and 3000 FB fans, Romanian mystery-man Liar drops a 3-track freelease via Infinite Machine Singles, titled "Mas", first of a 4-part thematic series of EPs he'll be exploring throughout 2013. Boasting the production values you've come to expect from IM's resident engineer and musical polymath, “Mas” is otherwise very different from Liar's previous offerings, in that it's a bass-heavy, high-octane, club-oriented banger trio. Eclectic even within its own confines, “Mas” touches on a variety of ethnic motifs, club-favored genres, and stylistic influences, with each track essentially being a nostalgic bootleg remix of a track from Liar's childhood. This is truest for opener, “Giovanni”, a trap remix of Sash!'s “Adelante”, that could be found guilty of being part of the “Brace yourselves, trap remixes of fucking everything are coming.” meme. Liar's love for the original, his cheeky awareness and resulting sense of humor throughout renders that a moot point. Cheese abounds, but it's of the expensive variety - Camembert, Reblochon, Époisses... Seemingly unchanged from “Adelante” in its opening, it subverts the original's drop, exploding into a controlled, yet escalating chaos of 808s, roars, cars skidding, rave candy, thunder, acidic arps, lazy horns, dogs barking, a whole army surplus warehouse of guns firing, and an uplifting, gatling gun finale... everything but the kitchen sink. La vida es corta. “Ravnos” interpolates local Romanian gypsy craze “Turceasca Criminală” atop a future footwork backdrop. The intricate beat gallops astride a square bass monster, nosebleed-inducing strobe-synths keep the energy of the “Turceasca...” sample consistent, and Liar's trademark musicality and soulful vox cuts are never abandoned. Ia șefule că e locu' tău. Previously featured on Life Crushed's “Favored III” compilation, alongside tracks from the likes of Happa, Twin Empire and Arapaima, “Nosferatu” is a more subdued and darker affair. Comfortably marrying techno, garage and hardcore, while confined to the trappings of neither, and unhinged from any conventional rhythmic pulse, it blasts along as, seemingly, a dubby kick'n'stick sinfonietta, before some very recognizable vox drop in, fully driving home the abyssal aesthetic. The second half heightens the pressure via the arrival of a crushing reece bass, that shambles throughout for the remainder of the track. It ends with whimper... Te deja con ganas de más. Artwork made by: Teodoro Zamudio & Borealis released March 12, 2013
foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 7:11 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Zack Christ - Fucking at Disneyland (3:13) 02. Zack Christ - I Got Hard Wobs And So Many Huneys M8 (3:58) Danish Master of Cows, Zack Christ, having just recently gotten our panties moist with his Pixelord split, lays some pipe and gets us to the finish line with 2 new trax for the IM Single series. "Fucking at Disneyland" is a number reminiscent of early Avicii or Skrillex, layering the best finds in Vengeance construction kit loops with some of the sickest Datsik and Excision bass presets for Massive to get you absolutely pummeled by the drop, before lulling you into a false sense of thinking you're listening to good music with some wholesale sample of a hit singles from the 60s or 70s (jk, it's an expert execution of organic, evolving found sound beat programming atop an unrelenting barrage of start-stop bass and polysynth histrionics). "I Got Hard Wobs And So Many Huneys M8" does exactly what it says on the tin. A$ap Rocky delivers the eponymous lyric, then the guy who did the vocals for that one about not being polite says something about Provolone cheese (master of cows! geddit?!), then the drop hits and it's mental bruv... It's like complextro, moombahton and glitch-hop all in one! Additional production by: David Guetta, Deadmau5, Tiësto, Basshunter, Blood on the Dancefloor (jk... while it does have hard wobs, Zack effectively and succesfully "takes them back", and lays them upon a bed of beats in total head-nodding disrepair, all the while tentatively flirting with some signature jazzy proclivities; it also definitely does say something about Provolone). Another two bangers from Zack "The Passion of the" Christ. Mastered by Liar. Artwork: Teodoro Zamudio released May 20, 2013
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 11:57 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Seapoint - Lunar Eve (3:57) 02. Seapoint - Triangle Optics (4:08) 03. Seapoint - Triangle Optics (Kon Remix) (3:52) Rafael Bucio, aka Seapoint, in succession to his masterful B.YRSLF debut, revisits his singular songwriting flair and knack for high-end production for his sophomore effort, this time on Infinite Machine – the "Lunar Eve” EP. His signature vox work and underwater sonics abound. The title track and opener, “Lunar Eve”, explores the reductionist funk (replete with sparse, but lush chord washes and wanky synth flourishes) some might expect from such Night Slugs alums as Girl Unit, Bok Bok, L-Vis, or Jam City. However, where said heavyweights would unfailingly build towards a climactic, hi-NRG, post-Bmore construction, Rafael eschews a focus on dance music, instead opting for an emotional, reflective take on the formula. Conversely, this doesn't happen on “Triangle Optics”, where the focus is emphatically the dancefloor. The vox chant “yo, turn the lights on, move, partyin' with me”... There is no ambiguity: Seapoint wants you to work it. The audio backdrop he provides is a soulful, nostalgic house jam, that cleverly switches up into an irresistible UKG/grime number midway. Kon remixes the tune into a bubbly, schizoid, psychedelic rhythm experiment, punctuated and kept together by exuberant, unrelenting chord stabs. See. Point. Click. Buy. released May 27, 2013
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 21:45 Наличие сканов в содержимом раздачи: cover Tracklist: 01. XS - Over (4:18) 02. XS - Over (Kommune1 Remix) (6:27) 03. XS - Over (ill Life Remix) (5:35) 04. XS - Over (Hound Scales Satana Remix) (5:25) 24Bit Puerto Rican enigma XS debuts via Infinite Machine with his phenomenal „Over”, with likeminded producers ill Life, Kommune1 and Hound Scales on the remix tip. Blending dub-heavy future garage, R’n’B and muscular techno passages reminiscent of Boddika, Dark Sky or Joy O, XS is nonetheless not really indedbted to anything. With its luscious, ghostly vocals, its lacerating, off-kilter percussion, its brooding chord washes and a playful yet no-nonsense bassline breaking up the darkness at times, „Over” is a puzzlingly accurate affirmation of UK values, from one so firmly over-the-pond. ill Life reinforces said aesthetic from smack dab in the middle of its country of origin, superimposing a vigorous, subtly distorted beat and engrossing sub-bass over a very tasteful VIP of the original. Kommune1 emphasizes the bassline muscle and creates distance and space for a very vivid and visceral traversal into warehouse techno territory. Hound Scales’ aptly titled ‘Satana’ mix is a clangorous, distorted, anvil-heavy take, maximalist in production and reductionist in arrangement – an unrelenting canonization of four-to-the-floor. Mastered by Liar Artwork: Borealis released May 13, 2013
foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 14:55 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Seafloor - Heart Thief (4:45) 02. Seafloor - Krakatoa (5:19) 03. Seafloor - I Won't Love You (4:51) 24Bit Brooklyn resident Matthew Young, aka Seafloor, conducts his Infinite Machine debut with submerged savvy, as per his namesake. Though somewhat indebted to the likes of Machinedrum/Sepalcure, Sibian & Faun, etc. (in terms of blending jungle and post-juke into backdrops for lyrical, melodious affairs), Seafloor's sound is distinctly less aloof, and more wistful and playful. There are certainly no punches being pulled in terms of production, with heavy sub-bass, frenetic rolling breaks and lush, soulful vocal cuts as the bread and butter of his songwriting; Matthew, however, additionally conjures up a overtly magical (read: fantasy) quality infrequently heard in electronic music (only the work of Druid Cloak and some choice Liar jams jump to mind). "Heart Thief" is an escalating, saccadic roller, marked by a sense of urgency and seasoned with teaspoons of acid here and there – tension unrelentingly builds up (toying with you via early, brief introduction of climax elements followed by abrupt return to the junglist frenzy). The melodic release is soothing, reminiscent of glory-days IDM, yet subverting that via the incredibly poignant vocals, appropriately chanting "you took my heartbeat from me". Repeat. "I Won't Love You"'s clap-happy beat, house vibes, and airy, nasal, unearthly vocal treatment create an equally futuristic and suncaked soundscape, broken up by corpolent pads and funk-smeared tambs. "Krakatoa" employs reedy bass, cuicas and expert manipulation of the "Think" break into crafting a dreamy, hurried contemplation on faraway rave and grime. The main bassline hook is weirdly inquisitive, inducing shoulder-shrugging and daft smiles, while shaky pads provide snow-capped emotional contrast. released May 29, 2013 Mastered by: Liar Artwork: Seafloor
foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 6:16 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Framework - Holding You Down (6:16) 24Bit released June 26, 2013 Mastered by: same girl Artwork by: Framework
foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 14:55 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Xavier León - Uncompromise (3:44) 02. Xavier León - Uncompromise (Past Bastion Rookie Retwerk) (2:57) 03. Past Bastion - S'en Fou (2:54) 04. Past Bastion - S'en Fou (Framework Remix) (5:20) 24Bit released June 27, 2013 Photo by: Louis de Potesta Mastered by: same girl
foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 28:16 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Heblank 1411 - Beheaded (8:52) 02. Heblank 1411 - Beheaded (XS Remix) (4:35) 03. Heblank 1411 - Beheaded (my.head Remix) (6:31) 04. Heblank 1411 - Beheaded (PEEV Remix) (8:18) 24Bit French bass experimentalist Kevin Houston, or Heblank, after a handful of appearances throughout the IM catalogue as a remixer or one-off compilation member, finally joins Infinite Machine’s ranks with a single release of his own. „Beheaded” is a curious beast. An ever-growing, incessant full-frequency barrage of pulsing bass and offbeat hihats, it doesn’t even as much as invite melody into its midst until the 5 minute mark, and even then covertly - meandering pads creating atmosphere and pitched rimshots flurries providing additional complexity. Numerous textural incidentals line the full near-9 minutes of the track, and a submerged vocal bellow punctuates key moments, setting the oppressive tone of the track. This is the sound of seasickness. XS’ remix wrangles the original firmly into warehouse techno territory, employing a lo-fi approach to off-kilter sound design that only serves to bolster the murkiness. PEEV’s remix smacks of Perc Trax strategies, ramping up the vertigo and claustrophobia via mechanistic repetition and structure and an unbridled urgency in the percussion. Fellow Frenchman my.head’s remix is the well-deserved respite and release after three tracks of eardrum flexing – dark yet dreamy, it glides its wistful bassline alongside a repeated snippet of the original’s vox, intermittently erupting into woodblock-ridden garage segments that fully render what is seemingly a faded memory of euphoria. released July 15, 2013 Mastered by: Liar Artwork by: Borealis/Jesse Somfay
foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 17:03 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Toboggan - Baby Don't Cry (3:30) 02. Toboggan - Nocturne (3:52) 03. Toboggan - Allure (3:47) 04. Toboggan - Temptation (3:29) 05. Toboggan - So Easily (2:25) 24Bit released August 27, 2013 Artwork by: TOBOGGAN Mastered by: Mike Din
foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 16:06 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Kalpa - I'd Stay Here (6:19) 02. Kalpa - Le Rêve (4:21) 03. Kalpa - I'd Stay Here (Liar Resax) (5:26) 17-yo Exeter wunderkind Felix Dobson’s Infinite Machine debut is quite something. At first listen, Kalpa’s sound is a resolutely cohesive melting pot of everything that’s exciting in UK bass music today. With each and every subsequent listen, it just gets better. On top of a foundation of uptempo, energetic UKG with Top 40 production values, Dobson overlays vocal hooks that could rival Disclosure’s best moments, playfully exuberant basslines that, at times, flirt with acid proclivities, and heavyweight house vibes. Saving the best for last, the finale erupts into a four-to-the-floor, foot-stomping drop, laden with some of the coolest synthwork you’ll hear this year. The most alluring features, however, are the the inventiveness and the ear for detail displayed in the breakneck, ever-surprising arrangement of “I’d Stay Here”. We’d all benefit from staying where Kalpa feels like staying, if his uncannily-veteran productions are anything to go by. “Le Rêve”, faithful to its title, relaxes the tempo and keeps it dreamy. A Dynamic-esque spacing and flavor pervades throughout, with Felix riding a beach-friendly, jazz-laden, ratchety tech-house beat before rupturing into raspy synthwork at the 2:39 mark, à la Kenton Slash Demon, Headz Up, Justin Martin, and the like. On the virtual flipside, IM hardliner Liar has fun with his “resax” remix – sax riffs reminiscent of dirtybird’s more jocular, fun-loving moments are interspersed amongst cautiously-eurodance moments, nestled in a diva house shell and wrought upon a plummeting bassline and driving beat wrangled from choice snippets from the original. Consequently, Infinite Machine is proud to (albeit belatedly) present its flagship summer jam. released October 14, 2013 Artwork by Borealis Mastered by Liar
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 9:08 Наличие сканов в содержимом раздачи: cover Tracklist: 01. G-23 - Die Elektrik (4:30) 02. G-23 - War Drums (4:38) Italian tech-head and Black Nite label don G-23 creates lucrative synergy – synchronously expanding overseas and reinforcing Infinite Machine’s warehouse techno ranks with his hard-hitting 2-track IM EP. "Die Elektrik” is a mechanical and meticulous exercise in 4/4 ferocity. Overdriven, yet spatious 909 drumming, industrial sound design and menacing atmosphere unrelentingly carve a space for G-23 in the anti-drop realm of techno, echoing forerunners such as Blawan, Clouds, J. Tijn, Truss, Perc, and so on. "War Drums”, conversely, sees G-23 joining the likes of Aquarian, Maelstrom, Kry Wolf et al. in creating 2013 electro that, while updating the production values, effectively captures the syncopated doom & gloom and dystopian proclivities of the old-schoolers. Reverberating, sunken synth hits punctuate the track akin to a morbid countdown, while unintelligible whispers corrode at one’s sense of security. Fear is the mindhealer, as far as G-23 is concerned. Listen. Learn. released September 12, 2013 Artwork by Borealis Mastered by Liar
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 11:35 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Pixelord - Tumblr Girl (3:55) 02. Pixelord - Polygon Fane (3:47) 03. Pixelord - Tumblr Girl (8prn Remix) (3:53) Tumblr Girl is a single release previous to a 6 track EP + remixes by Liar,Druid Cloak and Seafloor coming out next year. Alexey Devyanin’s body of work under the Pixelord moniker has been quite the colorful tapestry, originating in the now-all-but-defunct Russian future beats movement, but effortlessly uprooting itself and going on to explore other genera of bass music, with little regard to BPM or influence confinement. After last year’s split with Zack Christ, which saw the Muscovite producer tackling profoundly UK, dub-emphatic, on “Tumblr Girl” we see him seemingly take us through a redux of the back-catalogue of his own label, Hyperboloid. Clocking in at circa 180 BPM, the title track is a DnB-indebted, clickety analogue speed ballad, akin in many ways to the softer side of IDM daddies such as AFX, Squarepusher or Wisp. However, Pixelord’s own personality still heavily comes through, with many throwbacks to his early sonics, and that absolutely inimitable cold, wistful and hopeful emotional charge you only hear from Russian producers. “Polygon Fane” is one of those jungle/juke hybrids we’ve all come to know and love over the course of the past year. With a romance-montage-derived synth and sultry RnB vocal cuts, the track exists at a crossover point between 80’s and 90’s nostalgia. On the virtual flipside,8prn’s remix dials the tempo down to 160, for a rattling, submerged, completely unshackled take on melodic future footwork. Get your fix of tumblr jamz. released November 25, 2013
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 5:30 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Seb Wildblood - Lost Track (5:30) Seb Wildblood, London producer & co-owner of the acclaimed record label Church, follows up his Church White single "Feel" and recent Mad Tech release by making his Infinite Machine debut with the aptly-titled stand-alone free single Lost Track. While he has made a name for himself, alongside his label partner Apes, developing a unique sound that lands squarely between House and Techno, Lost Track explores a more contemplative, wandering space. Coming in at five and a half minutes, Lost Track is almost without melodic development, rather setting it's focus on a specific feeling through evolving percussion and sparse, reverb-soaked pads diligently wrapped in delicate atmospherics. The thoroughly calculated nuance of negative space reflects the likes of Submerse, Robot Koch, Chrome Sparks, Roman Flugel and Maribou State Artwork by Borealis Mastered by Harley James Going released December 23, 2013
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 10:26 Наличие сканов в содержимом раздачи: cover Tracklist: 01. XS - Spex (5:00) 02. XS - Rhoda (5:26) XS’s sophomore Infinite Machine offering is the boldest statement in the Puerto Rican anon’s discography. Discarding the vocal, melodic respite of the preceding „Over”, he takes us through a vigorous future techno workout. "Spex” channels the work of the likes of Bambounou and Dark Sky to dancefloor-devastating effect. A steady 4/4 kick holds the reins while a rhythmic whirlwind of stumbling woodblocks and stammering bass tugs at them. Junglist pads then bleed through, their atonally-soulful progression inducing stasis in the listener, before abruptly deffering to a second wave of tech assault. "Rhoda” is, conversely, steady, gridlocked and unrelenting. Washes of either sinister or alien melody ebb and flow, machine-speak punctuates key moments, acidic leanings permeate, the kick beats steadily to crushing effect, and the syncopated rattle of bassy percussion never lets go. XS. IM. 2014. Fight on. released December 30, 2013 Mastered by Liar and Lancor Artwork by Borealis
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 23:28 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Wallwork & RzR - The 361 (4:01) 02. Wallwork & RzR - Massive Reactor (4:41) 03. Wallwork & RzR - Mad Techno Invasion (3:35) 04. Wallwork & RzR - Tonatiuh Dance (7:09) 05. Wallwork & RzR - Keep Going (4:03) Hackney Wick, London duo Wallwork & RZR (comprised of Tommaso Wallwork and Ady Razor), having cut their teeth as ghost producers for some of the UK's finest for years, are down to leave the ether and substantiate as a powerhouse club act of their own, courtesy of their impeccably-produced Infinite Machine debut, “Mad Techno Invasion". Breaking the ice with fiery number “The 361”, W&R promptly display their prowess as sleeper cell veterans. Driven by sparse, overdriven, sluggish 808 kicks, a slo-mo title chant, and unrelenting, crisp upbeat claps, the track is an exercise in elegantly reductionist rave, interspersed with wistful junglist harmony and abundant varispeed vox hype. Second track “Massive Reactor, built on an elektro backbone, toys with liquid, jazzy inflections, but mostly exists in a realm of explosive industrial beats and subversive kick patterns that entail a gut-wrenchingly suspenseful and suspended feel. Masterful sound design pervades. “Mad Techno Invasion” juggles staggeringly lush UKG passages with metallic, unhinged techno that sometimes slows down into half-step grooves, seemingly channeling oldschool dubstep alumni. “Tonatiuh Dance”, the most punishing of the five, is a syncopated beast that once again imbues the listener with that suspended sensation – drops from the get-go and never looks back. Constant tension, but calibrated as such that it is always almost too much, but never too much, and most certainly never too little. The track is self-referential in that it segues into sounds of labored breathing, medical machinery, and wild animals towards its finale. Closer “Keep Going” is a thoroughly explosive rave hardcore finale, reliant on pirate radio mainstays such as BPM-repurposed jungle breaks, tempestuous reese bass, hoover histrionics, and earworm diva vox frantically repeating that the listener should “keep going”. On an EP chock-full of rinse-worthy material, that is advice to be taken to heart. Be kind, reeewiiiind… released July 14, 2014
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 11:01 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Liar - White Ramadan (5:07) 02. Liar - Black Christmas (5:53) 24Bit Merry Permafrost Mastered by Liar. Artwork by Liar. released December 24, 2013
foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 5:13 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Swan Meat - Suckling (5:13) 24Bit foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 5:20 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Swan Meat - SUCKLING GROWN (5:20) "For her upcoming EP Swan Meat has built on the “fleshy amalgam” of her visceral club music sound, molding it “into a monster both terrifying and lush”. Her new poems evoke the cyborg imaginary of organic and technological references that are scattered throughout FLESHWORLD, from which two singles ‘SUCKLING’ and ‘LITERALLY SEETHING’ have been released. In her remix of the former single premiering today titled ‘SUCKLING GROWN’, Swan Meat delivers a dystopian techno warehouse anthem, closing the loop between her written and musical practices by incorporating spoken word from her poems into the track’s closing textures." - AQNB
----------------------- foobar2000 1.2.5 / Dynamic Range Meter 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 18:12 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Benfika - Intro (2:04) 02. Benfika - Contra (3:03) 03. Benfika - Catarsis (2:42) 04. Benfika - Feudal (3:41) 05. Benfika - Inverso (3:58) 06. Benfika - Outro (2:44) released May 22, 2015
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 50:54 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Bruises - Spit/Silk (5:03) 02. Admin - Beside The Point (6:49) 03. Toboggan - Ask (4:35) 04. Sibian & Faun - MKULTRA (4:58) 05. Zack Christ - Two Thousand and Question (3:05) 06. Nocow - I Care (3:51) 07. Liar - Poppy Love (4:54) (24Bit) 08. Borealis - Vinum Opii (4:32) 09. Seapoint - Echo Nights (3:19) 10. Resketch - I Don't Care (5:42) 11. Heblank - Hard Chaos (4:07) released August 14, 2012 Photo by, Cat Lamoureux
----------------------- foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:11:28 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Napo - The Black Hole Ski (3:36) 02. Arthur Berlinn - Funk Lullaby (4:16) 03. Seafloor - I Try (4:45) 04. Seapoint - Ex (End Phase) (3:18) 05. Framework - Shame (6:03) 06. Warsnare - Room 641A (feat. Paradise Scientist) (6:40) 07. Zack Christ - δelta-D_ U+03B4_FUCKEΔ (3:23) 08. Liar - Family (2:35) 09. Nocow - Runout (4:57) 10. Beaka - Tell Me How (6:12) 11. Cloaka - When It Drops (5:32) 12. Hxdb & Self Evident - Get Together (4:54) 13. Herr Johann - Breather (8:45) 14. Xavier Leon - Dry (6:32) 24Bit Infinite Machine proudly presents it's 2nd Anniversary Compilation. There's honestly no words to describe this feeling, so we thought we would just give it to you. Infinite thanks to all of the artists we have worked with and that we will work with in the future. We wouldn't be here,at this point without you,so THANK YOU!! On behalf the Infinite Machine family, we also want to thank all the people that have supported us and our artists for the past 2 years. Thank you! thank you! <3 <3 <3 With love. IM (same girl,Liar,Borealis) released September 16, 2013 Artwork: Borealis Mastered by: Harley James Going Borealis/Jes Somfay: Artwork for Infinite Machine's 2 year anniversary compilation. I recreated the logo using segments of found gel electrophoresis DNA stain imagery. Synchronously, the infinity symbol at the centre of the logo ended up resembling a double helix.
foobar2000 1.2.5 / Замер динамического диапазона (DR) 1.1.1  Аудиокодек: FLAC (*.flac)Тип рипа: tracks Продолжительность: 1:18:01 Наличие сканов в содержимом раздачи: cover Tracklist: 01. Arma - Soundboy (4:30) 02. Wallwork/RZR & Ltd Colours - B2 (5:40) 03. Cloaka - Junta (6:11) 04. Truska - Flux (5:00) 05. M-Waves - Like That (4:35) 06. Ardstepz - Rinse Out (5:03) 07. Liar - Warlock (3:56) 08. Vlsonn - Iberia (6:26) 09. Blâme - Renegade (4:54) 10. Abe - Mickey's House (4:40) 11. Toka - Can't Tell Me (2:42) 12. Otik - Rough Patch (3:58) 13. Kouslin - LDN Underground (5:42) 14. Butti - Tension (5:35) 15. Carlton - Input (4:42) 16. Clough - Yum (4:27) 24Bit We here at Infinite Machine have made a habit out of celebrating the anniversary of our inception as a label with crew love compilations. Conscientious fans will remember our previous two compilations as retrospectives into the highlights of their respective years, gathering all top players from our roster and all frequent contributors for an aural birthday bash. For year 3 we’re switching it up – while still firmly a fam outing, our newest compilation is all about welcoming copious new talent into our midst, and hinting at what’s on the horizon for us. Given that most of said new talent is UK-based, this one also serves as a next-gen-biased exemplar in UK club, at least as far as we’re concerned. Arma starts things off with “Soundboy”, a jolly, junglist love letter to UK hardcore, suffused in rave candy and dub signatures throughout. It’s a statement of intent for the compilation - via its euphoric rave piano opening, it functions as an apex of celebration. Wallwork & RZR team up with Ltd Colours in expanding on this with their deconstructive breaks approach on “B2”, producing this collection’s definitive all-ages banger. Next up, things get murky with Cloaka’s “Junta” – an ominous club concoction, distilled from the dark side of syncopated techno, bare-bones electro and dub-tinged industrial. Truska picks up from where Cloaka left off with his uncompromisingly futuristic “Flux”, trekking through heretofore uncharted realms of rhythmic deliverance and low-end fetishism. M-Waves & Ardstepz’ contributions, “Like That” & “Rinse Out”, respectively, keep it decisively future with their acid-heavy update of yesteryear’s “nu skool breaks”. The interplay of skittering UKG riddim, bubbling 303 antics and unhinged breaks ricochet will make you want to rinse these ones out indeed. Moving forward, the Berlin-meets-Bristol, hard-as-nails techno of Liar’s “Warlock” serves as an abrupt palate cleanser, and as a reiteration of our core values – industrial ferocity pounding astride sultry diva pop; an act of unholy conception spawning a weaponized club finale; all from IM’s resident digital occultist. Vlsonn keeps up the pace with the even-more-industrial, mechanized warehouse techno workout of “Iberia”, whose sluggish half-time 4/4 remains nonetheless energetic, courtesy of the biggest kick sound conceivable, outside of gabber at least. Blâme’s follow-up, “Renegade”, a perfect companion piece to “Like That” & “Rinse Out”, is a return to their UKG-meets-breaks formula, albeit with a more tempered, clean-cut and dubbed-out vibe, and a generous helping of tribal inflections throughout. The very same can be said about Abe’s subsequent “Mickey’s House”; however, Abe’s track sets itself apart with its absolute belter of a bassline, seemingly channeling the entire soul of jungle in its downward whine. Next up – we couldn’t honestly call this comp an “exemplar in UK club” without representing grime, and Toka’s manic war dub “Can’t Tell Me” does just that: nods to “Pulse X”, eski clicks, gliding square bass, clap-happy riddim, MC shouts, militant strings, the works. A crash-course in grime linguistics, and an expertly executed one at that. Otik keeps bowing dem militant strings for his grimy UKG murk anthem “Rough Patch” – a chilling, dramatic, CEV bassbin ripper. On the fringe between Paris club and UK club, Kouslin’s “LDN Underground” ultimately tips toward the latter, at least in name. An incessantly repeated, guttural vocal cut sits aside a syncope techno beat, while a sublow reese and acidic squelches alternate on the low-end. Butti’s “Tension”, a welcome, surprising union of UK club’s functionalist and atmospheric extremes, respectively, nonetheless turns out to be a formidable drum tool. Passing the flag to Carlton, his “Input” is an EBM-reminiscent jaunt through code poetry & DSP magick. Lastly, Clough’s “Yum” is power electronics revivalism - a cultured nod to the logical extremes of electronic music, made sonic flesh anew. A fitting finale to our little musical time capsule. Happy birthday to us, for we’re a jolly good fellow… the lot. Play this, rinse this, dance to this… celebrate with us. Infinite love! ((∞)) Early support from DJ God, Club Jesus & The Holy Ghost Producer. released September 1, 2014 All tracks mastered by Liar. Artwork by Oscar Rubio.
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